Events

The Wedding Present: 9.April.2010 - Washington D.C.

Twenty five years on, The Wedding Present are still one of the best live indie-pop acts around.

Doing justice to a classic LP in a live setting is harder than it might seem. It requires finding a middle ground between reinterpretation and faithfulness; skew too far in either direction and fans will feel cheated. Luckily, The Wedding Present have a bit of experience in this area, having taken their debut LP George Best on the road in 2007 to celebrate its 20th anniversary. This time around the band dug into the 1989 indie-pop stone classic Bizarro and proved more than up to the task. After warming up with a few new numbers, the band launched into "Brassneck", rendering the song's bright, jangly guitars and pent up frustrations expertly. "This is quite an intense LP, in case you hadn't noticed," head Weddoe David Gedge quipped about halfway through side one. Eschewing an encore (as they are wont to do), the band played Bizarro front-to-back, channeling all of its energy, charm and lovelorn wit. But that didn't stop fans from yelling out requests. When asked to play "Box Elder" (a Pavement cover that appears on the U.S. reissue of the album), Gedge explained that they were only running through the "classic" original UK version. When a fan yelled out "Come back next year and play Seamonsters," however, Gedge seemed more amenable. "I will if you make it worth my while," he said with a grin.

Cover down, pray through: Bob Dylan's underrated, misunderstood "gospel years" are meticulously examined in this welcome new installment of his Bootleg series.

"How long can I listen to the lies of prejudice?
How long can I stay drunk on fear out in the wilderness?"
-- Bob Dylan, "When He Returns," 1979

Bob Dylan's career has been full of unpredictable left turns that have left fans confused, enthralled, enraged – sometimes all at once. At the 1965 Newport Folk Festival – accompanied by a pickup band featuring Mike Bloomfield and Al Kooper – he performed his first electric set, upsetting his folk base. His 1970 album Self Portrait is full of jazzy crooning and head-scratching covers. In 1978, his self-directed, four-hour film Renaldo and Clara was released, combining concert footage with surreal, often tedious dramatic scenes. Dylan seemed to thrive on testing the patience of his fans.

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TV

Inane Political Discourse, or, Alan Partridge's Parody Politics

Publicity photo of Steve Coogan courtesy of Sky Consumer Comms

That the political class now finds itself relegated to accidental Alan Partridge territory along the with rest of the twits and twats that comprise English popular culture is meaningful, to say the least.

"I evolve, I don't…revolve."
-- Alan Partridge

Alan Partridge began as a gleeful media parody in the early '90s but thanks to Brexit he has evolved into a political one. In print and online, the hopelessly awkward radio DJ from Norwich, England, is used as an emblem for incompetent leadership and code word for inane political discourse.

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The show is called Crazy Ex-Girlfriend largely because it spends time dismantling the structure that finds it easier to write women off as "crazy" than to offer them help or understanding.

In the latest episode of Crazy Ex-Girlfriend, the CW networks' highly acclaimed musical drama, the shows protagonist, Rebecca Bunch (Rachel Bloom), is at an all time low. Within the course of five episodes she has been left at the altar, cruelly lashed out at her friends, abandoned a promising new relationship, walked out of her job, had her murky mental health history exposed, slept with her ex boyfriend's ill father, and been forced to retreat to her notoriously prickly mother's (Tovah Feldshuh) uncaring guardianship. It's to the show's credit that none of this feels remotely ridiculous or emotionally manipulative.

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Here comes another Kompakt Pop Ambient collection to make life just a little more bearable.

Another (extremely rough) year has come and gone, which means that the German electronic music label Kompakt gets to roll out their annual Total and Pop Ambient compilations for us all.

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Winner of the 2017 Ameripolitan Music Award for Best Rockabilly Female stakes her claim with her band on accomplished new set.

Lara Hope & The Ark-Tones

Love You To Life

Label: Self-released
Release Date: 2017-08-11
Amazon
iTunes

Lara Hope and her band of roots rockin' country and rockabilly rabble rousers in the Ark-Tones have been the not so best kept secret of the Hudson Valley, New York music scene for awhile now.

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