What happens when you put an Arizona dirtbag, a human turtleneck, a narcissistic monster, and the dumbest person you've ever met in the same room? They become good people, sure, but more importantly, they become a group.
With the mission to educate as well as entertain, our scope is broadly cast on the best of pop culture (or at least among the more interesting) and we are the world's largest site bridging academic and popular writing.
In 2019, a spotlight on queer musicians and fast-paced broadcast made the Grammys have some real cultural relevance. Its 2020 edition, clouded by tragedy, scandal, and bloat, only served to remind us why award shows are so problematic.
For a show that so cynically pokes holes in the inanities of our plastic, apathetic world, The Simpsons' rough-edged bedrock of brilliantly conceived sentiment can cup a heart without compromising comedic integrity.
In a society of things, social responsibility requires a recognition of the influence of commodities upon our most foundational spiritual experiences. Nickelodeon's animated series, Rocko's Modern Life, puts it simply.
Damon Lindelof's over-plotted, over-anxious, daring, genre-hopping offshoot of Alan Moore's alternate-history graphic novel, Watchmen, is less a show about hunting down the bad guys than it is about the twisted turns and stubborn legacies of racist trauma in America -- and the resistance to atoning for it.
Made for TV programs of the '70s really knew how to dish it out. Michael Crichton's Pursuit is all about men conquering each other; whereas Lee Philips' The Girl Most Likely To is a poisoned bon-bon about making pain palatable.
Film/TV score composer Cliff Martinez talks with PopMatters about his work with Steven Soderbergh, Harmony Korine, and Nicolas Winding Refn, whose new series Too Old to Die Young features one of Martinez's most ambitious scores to date.
Portraying promising singer-songwriter Scarlett O'Connor on Nashville, Australian Clare Bowen learned a lot about the Music City … and herself. Bowen tells us about her journey in this extensive interview.
I've sworn, after learning about the latest kleptocrat billionaire to buy a club, or scrambling from the clash between hooligans and riot police, or hearing a homophobic chant rise up from the stands, I would give up on the game. Anyone with sense would.
When Shaun Evans was recruited to play young Morse, he had been acting for over ten years, yet it's Endeavour that's likely his magnum opus. In this interview, he discusses the defining work that not only allowed his acting talent to blossom but also nurtured his natural storytelling ability.