No award show will ever be truly perfect, but one can still admire how the Grammys overcame some pre-show controversy to deliver one of the most feminist, fearless, and downright entertaining broadcasts in its history.
If Shirley Jackson's simple parable, "The Lottery", couldn't inspire self-reflection in an arguably simpler time, one has to wonder what messages today -- such as that of Bojack Horseman's "The Lottery" episode -- are falling on deaf ears in these times of increasing gun violence in America.
Homecoming provides us with a much-needed perspective on how a white woman like Heidi Bergman appears at first to be so well-meaning, even antithetical to the "Becky" meme, yet ultimately upholds white supremacy with a friendly smile, which is perhaps even more dangerous and insidious than America's "Beckys".
In the fantasy world of AI-populated Westworld, unchecked humankind regresses into violence toward the "Other" -- just as we do in the chaotic real world. Is that the essence of human nature, to always reject its' self as seen in the visage of the Other?
What does it mean, ontologically and narratively, when the seeming finality of death disappears from our stories? What does it mean when our stories and our characters, unlike our lives, refuse to come to an end?