Chris Ingalls is a Massachusetts native who spent the first seven years of his adult life as a broadcast journalist in the U.S. Navy, serving in overseas locations such as Keflavik, Iceland and the Indian Ocean island of Diego Garcia. He was also a videotape editor for a CBS affiliate TV station, a newspaper editor at a military public affairs office in Naples, Italy, and spent 14 years as a video archivist for a Boston-area cancer research institute. He was born in 1969 and has been a rabid music fan since at least 1970, thanks to his three older siblings. A PopMatters writer since 2016 and a contributing editor since 2019, Chris is on Twitter @Ingalls1969 and lives in the leafy suburbs of Melrose, Massachusetts, with his wife, son, hyperactive dog and ornery cat.
The Uzbekistan-born, Chicago-raised NIIKA combines art-pop and exotic jazz stylings to create a deeply rewarding listening experience on Close But Not Too Close.
Reissue label Light in the Attic follows up last year's Japanese musical excursion with another collection, Pacific Breeze 2, that's sure to please lovers of international retro-pop.
Dan Knishkowy returns with Adeline Hotel and Solid Love, a new album full of folk-leaning songs that are both gentle and arresting.
Orchestral-indie torch-song chamber-folk? Time to break out your music genre thesaurus for this gorgeous, impeccably crafted gem from Steve Dawson & Funeral Bonsai Wedding.
Erik Hall painstakingly and effectively recreates Steve Reich's minimalist classic, Music for 18 Musicians, with three instruments in his Michigan home studio.
Songwriter and multi-instrumentalist Ben Seretan recently released Youth Pastoral, possibly his most cohesive work yet. PopMatters spoke to him about his multifaceted musical gifts and his unique artistic path.
A random comment thread on Wesley Stace's Facebook page inspired a collaborative effort to bring together cover versions of his vast catalog with artists like Josh Ritter, Graham Parker, Gary Louris, Chris von Sneidern, and the Minus 5.
PopMatters speaks with Midwestern folkie Peter Oren about his new album, The Greener Pasture, which is both a polemic on technology and further proof of his unique, sophisticated songwriting skills.
Philadelphia's Courier Club fuse post-punk with '90s indie on a breathless five-song EP that leaves the listener wanting more.
New York-based percussionist/composer, Matt Evans brilliantly infuses his spacey sonic landscapes with the sounds of everyday life on New Topographics.
Experimental artist, composer and educator Matthew D. Gantt has created a delightful new album, Diagnostics, that's both maddeningly dense and refreshingly playful.
Anna Burch's sophomore album, If You're Dreaming, is a jazzy, sophisticated, timeless joy from start to finish.
Canadian indie folkster Jennah Barry returns with her long-awaited sophomore album, Holiday, which takes on a looser, more relaxed approach.
Canadian composer Nick Storring's latest album, My Magic Dreams Have Lost Their Spell, is mysterious, multilayered, and unforgettable.
Early Day Miners' moody, ethereal gem Placer Found turns 20 and is ripe for reappraisal. This is warm, intimate, bracing music with no expiration date.
Mute Duo's second full-length album, Lapse in Passage, is dark, multilayered, and uncommonly beautiful. It's like David Lynch baked in the Texas heat. It's the soundtrack to a Cormac McCarthy-inspired fever dream.
Brooklyn-based duo Quarterly combine elements of folk and classical on the intimate, calm, and unique Pomegranate.
Canadian musician, composer, and instrument maker, JOYFULTALK produces his third LP, A Separation of Being, which overflows with cohesion and light.
Experimental rock's Horse Lords release their first album in four years, and it's meticulous and complex, but also undeniably joyous and celebratory.
The new album from Seattle's Eamon Ra, Meat Bones Chemicals Electricity, is a pitch-perfect throwback to a golden age of youthful innocence and killer hooks.
Ben Seretan's first "album of songs" since 2016 sees him exploring and questioning love and faith, with spectacular results on Youth Pastoral.
The fruitful collaboration between these two unique musicians continues on an album that is dark but surprisingly melodic.