"As long as the music is jamming, I’m open to it. It’s always about the search for that new sound, that new groove. This is how you keep music going. The art form, period. The craft of making the coldest shit on the planet. This is what I do, this is what I was put here to do, and I’m just getting started." -- Big Boi
Considering I’ll Be Your Mirror after the fact should, for this year anyway, come with an asterisk. It wasn’t complete, even with all the good shit that happened on the Sunday. I’ll Be Your Mirror felt unfinished, like a dress rehearsal.
On the street, actually in the city, fighting through a million people craning their necks to figure out where the ball drops each New Year’s Eve, the air was still crackling. Weller is more than just an institution, but an active genius still capable of creating vital music. On one night in May in New York City, Weller’s sense of adventure was more than matched by a terrific performance with his band.
If they can’t make a dent in the U.S. market in 2012, the Kaiser Chiefs can’t blame the quality of Start the Revolution Without Me, a collection that manages to overcome the cobbled-together history of the material to become one of the band’s most complete-sounding collections since Employment.
As musical interpretations of romance go, Kisses on the Bottom may only get you about halfway there, flowers in hand wondering whether a second date is on the cards, unsure if that’s even what you want at all.
In speaking to PopMatters about the creation of the Flaming Lips' latest edible piece of insanity, frontman Wayne Coyne reveals how he turned mistakes into opportunities, gives much love to the major label he's signed to, and remains unshakably upbeat about what's next for one of the greatest bands working today.