Elisabeth earned her doctorate in American Culture Studies at Bowling Green State University, Bowling Green Ohio. Her research identified eighteenth century women who used music as a trade. She wrote her master thesis on the Smiths and Morrissey and published a chapter in the book "Morrissey: Fandom, Representations and Identities." Her areas of interest include gender, music, history, and popular culture. You can find her on Twitter @cupcakeharborer
The Book of Traps and Lessons reveals Kate Tempest's disdain with contemporary society while also envisioning a future where it all can be changed. With a flair for hip-hop laced with Marxism, the album is poetic artistry.
Roar's strength is found in its depiction of empowered women, yet Ahern mistakenly centralizes a normative vision of feminism while reiterating the patriarchal control that silences her female characters' voices.
Enlisting the production prowess of Timbaland, Wili Hendrix, and Missy Elliott herself, Iconology is both a signifier of Missy's role in contemporary popular music while ushering in a welcomed opportunity to #throwitback.
Today Was a Good Day captures Lucy Spraggan's profound happiness and sincere love. For Spraggan, these are the necessary components for personal fulfillment while also serving as the tenants for a stellar album.
The Lark and the Loon's 2 is not a porch stomper; instead it guides a quiet dominance. The Lark and the Loon's music is liberated from the overworking caused by production and technology to garner unadulterated strength.