Elisabeth earned her doctorate in American Culture Studies at Bowling Green State University, Bowling Green Ohio. Her research identified eighteenth century women who used music as a trade. She wrote her master thesis on the Smiths and Morrissey and published a chapter in the book "Morrissey: Fandom, Representations and Identities." Her areas of interest include gender, music, history, and popular culture. You can find her on Twitter @cupcakeharborer
Folk in 2019 is an image of inclusivity and unity in the face of international political upheaval. It's most captivating in its moments of sheer, heart-bearing authenticity and ensnares with new musical bearings introduced by some of its foremost innovators and newcomers to the scene.
The Book of Traps and Lessons reveals Kate Tempest's disdain with contemporary society while also envisioning a future where it all can be changed. With a flair for hip-hop laced with Marxism, the album is poetic artistry.
Roar's strength is found in its depiction of empowered women, yet Ahern mistakenly centralizes a normative vision of feminism while reiterating the patriarchal control that silences her female characters' voices.
Enlisting the production prowess of Timbaland, Wili Hendrix, and Missy Elliott herself, Iconology is both a signifier of Missy's role in contemporary popular music while ushering in a welcomed opportunity to #throwitback.