"If there was an obstacle, then we tried to overcome. I don’t like to say it just to be bold, but I think it’s always good to have situations of confrontation. And that is the only way to go about it."
"Through my relationship with Audre [Lorde], one thing I learned is that I could not just assume that the other person would judge and accept or reject me. It was something that I had to keep working on, recreating the trust."
"I really like to work on empathy and identification,' says Céline Sciamma. "I want everybody to connect and say, 'This is the childhood of today, but this could be my childhood as well.' I think cinema is about building a universe and about playing between what’s real and what’s not."
What if I make the work that really, really touches people? And they feel, “Hey, my God, that’s genuine human emotion put out there for all the right reasons." I guess I am entirely an idealist. I believe that authentic communication can cut through.
"If we wait (for a time without enough oil), then it is going to be very, very rough for us all. It’s not a question of if or when it will happen, it’s a question of how it will happen," says the director of A Crude Awakening.
In person, Pratibha Parmar appears calm and gracious, little like the courageous warrior woman we know her to be. She talks easily about her vision and desire to tell stories not usually told on the screen.
The Real Dirt on Farmer John combines home movies, archival footage, and recent imagery to consider the far from simple life of a flamboyant farmer. PopMatters interviews filmmaker and subject, Taggart Siegel and John Peterson.