Dr Gabrielle Malcolm is a writer, artist and academic based in the UK. She is known for her publications on Victorian literature and culture and her writing on Shakespeare on stage, TV and Film. She has published alongside writers such as AS Byatt in 'The Dickensian' journal, and her performance art pieces were featured in the Liverpool City of Culture celebrations in 2008, at the Liverpool Tate amongst other venues. Recent publications include a chapter in 'Writing Women of the Fin de Siecle: Authors of Change' (Palgrave McMillan, 2011). She is an avid fan of the Gothic and the Neo-Victorian. Her literary blog 'A Special Mention' has many followers and she can regularly be found tweeting @gabymalcolm, with fellow Shakespeareans and fans of Gene Kelly.
The 20th century did its best to dismantle innocence and inflict ideologically based suffering on children so as to darken human psychology for generations to come. Sendak dealt in honesty to make sense of bleak legacies.
Maybe hacking up a classic horror story is anathema to many readers, but there is a strange allure about stitching together a new creation from the body of the novel. What's the harm in a little experimentation?
Time was when you couldn’t move in a library in England for romance fiction: Dames Barbara and Catherine (Cartland and Cookson) dominated the shelves. Hundreds upon hundreds of copies of their titles (in large-print format very often) were loaned out by the armful.
Given the chance to write any kind of book on literary culture, this Cambridge professor chooses dead, white male established figures, oh – and the Brontë Sisters (everyone’s token girl writers!). No boundaries broken here.