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Eurovision 2020: Staging Political Identity

Eurovision contestants subvert the events' apolitical ethos simply with their identity, which is then subverted by performer and audience subjectivity. So who, ultimately, wins?

Film

Rupert Goold's 'Judy' and the Queer-ing of the Biopic

Recent queer icon films Judy, Bohemian Rhapsody and Rocketman tease their key audience while keeping one foot solidly in straight land. Is this progress?


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