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Eurovision 2020: Staging Political Identity

Eurovision contestants subvert the events' apolitical ethos simply with their identity, which is then subverted by performer and audience subjectivity. So who, ultimately, wins?

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Rupert Goold's 'Judy' and the Queer-ing of the Biopic

Recent queer icon films Judy, Bohemian Rhapsody and Rocketman tease their key audience while keeping one foot solidly in straight land. Is this progress?

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