This year looks a lot like 1984 to Bob Mould and he is most definitely, not happy. Not happy at all. His guitar sounds like it's on fire.
For their latest EP, The Third Gleam, the Avett Brothers leave everything behind but their songs and a couple of acoustic guitars, a bass, and a banjo.
From a multi-million dollar record label to an iPhone and an Instagram account, Alan McGee is reinventing the record industry once again, one single at a time.
Rufus Wainwright has done Judy Garland, Shakespeare, and opera, so now it's time for Rufus to rediscover Rufus on Unfollow the Rules.
Sonic Boom is Peter Kember, a veteran of 1980s indie space rockers Spacemen 3, as well as Spectrum, E.A.R., and a whole bunch of other fascinating stuff. On his first solo album in 30 years, he urges us all to take our foot off the gas pedal.
The Fall's Reformation! Post-TLC, originally released in 2007, teams Mark E. Smith with an almost all-American band, who he subsequently fired after a few months, leaving just one record and a few questions behind.
Nine tracks, recorded by the BBC in 1996 show David Bowie in a relaxed and playful mood. ChangesNowBowie is a glimpse into a brilliant mind.
Powerpop overlord and part-time Raconteur, Brendan Benson, grafts hip-hop beats to guitar pop on his seventh solo album, Dear Life.
The Universe Inside isn't a typical Dream Syndicate album. The verse/chorus structure has been neatly sidestepped in favor of a free-wheeling, improvised, truly experimental approach, and it's marvelous.
"Weird Music Is Still Good": Erik Hall on Isolation and Pulling Off an Impossible Steve Reich-ian Feat
Finding himself at a loose end, Erik Hall doesn't indulge in Netflix marathons or spends time sorting out his closet, instead he recreates Steve Reich's seminal masterpiece Music for 18 Musicians in his basement. And then he tells PopMatters about it.
"Show Me Heaven" was another country. Maria McKee has moved to England, immersed herself in the Classics and turned away from the 21st century.
Recorded in France, by musicians resident in Berlin, Spinning Coin's Hyacinth still sounds like it was made in Glasgow. In 1981.
Ash harnessed their teenage angst and energy and built a career on it, as you can hear on Teenage Wildlife, a career-spanning, hit-filled compilation album.
Originally released at the end of the 1980s to a bemused audience, will Jon Hassell and Farafina's Flash of the Spirit fare any better in the new millennium?
Tougher than you think, Squirrel Flower's first album, I Was Born Swimming, combines Joni Mitchell with dream pop, but with an indie rock bite.
Straining to be heard over the noise of a 1,000 over-effected electric guitars, are Pale Saints the lost champions of shoegaze?
An album full of hits for other people, Laura Nyro's More Than a New Discovery showcases the artist behind the songs.