Jacob Adams

Jacob Adams teaches literature, composition, and communication studies at a public high school in the Chicago area. He holds degrees in English, music, and education from Indiana University. In addition to writing for PopMatters, he maintains his own personal blog called A Sea of Amusements (http://amusementsea.blogspot.com/) and writes about music and books for Spectrum Culture (www.spectrumculture.com). When he is not busy teaching and writing about all aspects of popular culture, he enjoys playing the saxophone. He is currently working on a series of scary jazz compositions with San Francisco Bay area bassist Rod Taylor.

Recent

Top 10 Culturally Significant Banjo Moments

In the shadow of Earl Scruggs’ death, it’s worth taking a look at the role the banjo has played in American popular culture.

Music

Dropping Names, Cutting Tapes: Beastie Boys – “B-Boy Bouillabaisse”

“B-Boy Bouillabaisse” is one of the great denouements in the history of pop music, a 12-minute suite that gives us a definitive, multifarious view of urban life in the late 1980s.

Music

Dropping Names, Cutting Tapes: Beastie Boys – “Shadrach”

The boys employ religious allusions on “Shadrach” in a similar manner as they have used the references to movies, kids’ cartoons, and cereal boxes. They’re simply trying to come at their subject from multifarious angles and provide variety and interest for the listener.

Music

Dropping Names, Cutting Tapes: Beastie Boys – “What Comes Around”

“What Comes Around” is an ebullient three-minute track that highlights the Beastie Boys’ and Dust Brothers’ incomparable ability to create pleasant irony through perfectly-placed samples and humorous turns-of-phrase.

Music

Dropping Names, Cutting Tapes: Beastie Boys – “Car Thief”

Although the lyrical content feels a bit repetitive from previous songs on Paul's Boutique, the chill, soulful groove makes “Car Thief” memorable.

Music

Dropping Names, Cutting Tapes: Beastie Boys – “5-Piece..."/"Looking Down the Barrel..."

The Beastie Boys give us “5-Piece Chicken Dinner”, a brief, bright roll in the hay, only to juxtapose it with “Looking Down the Barrel of a Gun”, one of the darkest, dirtiest tracks on Paul’s Boutique--and also one of the best.

Music

Dropping Names, Cutting Tapes: Beastie Boys – “Hey Ladies”

On “Hey Ladies”, the Beastie Boys prove that their hip-hop collage approach to making tunes is applicable to the four-minute single format, resulting in a track that is both technically accomplished and danceable.

Music

Dropping Names, Cutting Tapes: Beastie Boys – “3-Minute Rule”

Coming after the aggressive intensity of the end of “The Sounds of Science”, “3-Minute Rule” seems slight, like the Beasties went on a mini-vacation.

Music

Dropping Names, Cutting Tapes: Beastie Boys – “The Sounds of Science”

“The Sounds of Science” is essentially a three-movement suite about hip-hop bravado. Rarely has science sounded hipper.

Music

Dropping Names, Cutting Tapes: Beastie Boys - “High Plains Drifter”

Despite the more solemn subject matter, on “High Plains Drifter” the Beasties still give us the chance to play that old game “spot the pop-culture allusion”, with references to Clint Eastwood, Hunter Thompson, The Andy Griffith Show, and more.

Music

Dropping Names, Cutting Tapes: Beastie Boys – “Egg Man”

As if to prove that an accomplished work of art can be inspired by anything, no matter how trivial or adolescent, on “Egg Man” the Beasties turn their shell-cracking exploits into a mock-heroic epic full of faux pathos and legitimate laughs

Music

Dropping Names, Cutting Tapes: Beastie Boys – “Johnny Ryall”

With “Johnny Ryall”, the Beastie Boys manage to challenge the audience’s ideas of what it has come to expect from hip-hop. The Beasties were no longer just rappers--they were crafters of one of the 1980s’ great short stories.

Music

Dropping Names, Cutting Tapes: Beastie Boys - “To All the Girls” and more

The first Between the Grooves series of 2012 focuses on the new Rock and Roll Hall of Fame inductees Beastie Boys’ postmodern, sample-heavy masterpiece Paul’s Boutique (1989). First, Jacob Adams explores how “To All the Girls” establishes a deceptively mellow vibe only to have “Shake Your Rump” groove the listener into a funky reality.

Music

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While Miles Davis will always be known for his original compositions and for genre-busting, innovative records like Kind of Blue, E.S.P., and Bitches Brew, it's worthwhile to give another listen to the great performances of standards the trumpeter recorded during the earlier part of his career.

Today we posted this new list and have created a handy Spotify playlist so you can enjoy all the tunes, or mix them up as you please.

In the shadow of Earl Scruggs’ death, it’s worth taking a look at the role the banjo has played in American popular culture.

“B-Boy Bouillabaisse” is one of the great denouements in the history of pop music, a 12-minute suite that gives us a definitive, multifarious view of urban life in the late 1980s.

The boys employ religious allusions on “Shadrach” in a similar manner as they have used the references to movies, kids’ cartoons, and cereal boxes. They’re simply trying to come at their subject from multifarious angles and provide variety and interest for the listener.

“What Comes Around” is an ebullient three-minute track that highlights the Beastie Boys’ and Dust Brothers’ incomparable ability to create pleasant irony through perfectly-placed samples and humorous turns-of-phrase.

Although the lyrical content feels a bit repetitive from previous songs on Paul's Boutique, the chill, soulful groove makes “Car Thief” memorable.

The Beastie Boys give us “5-Piece Chicken Dinner”, a brief, bright roll in the hay, only to juxtapose it with “Looking Down the Barrel of a Gun”, one of the darkest, dirtiest tracks on Paul’s Boutique--and also one of the best.

On “Hey Ladies”, the Beastie Boys prove that their hip-hop collage approach to making tunes is applicable to the four-minute single format, resulting in a track that is both technically accomplished and danceable.

Coming after the aggressive intensity of the end of “The Sounds of Science”, “3-Minute Rule” seems slight, like the Beasties went on a mini-vacation.

“The Sounds of Science” is essentially a three-movement suite about hip-hop bravado. Rarely has science sounded hipper.

The process of deciding which John Coltrane solos are the best of the best gave me a good reason to go back and listen to his catalog once again, as if an excuse is even needed. I hope you do the same.

Despite the more solemn subject matter, on “High Plains Drifter” the Beasties still give us the chance to play that old game “spot the pop-culture allusion”, with references to Clint Eastwood, Hunter Thompson, The Andy Griffith Show, and more.

As if to prove that an accomplished work of art can be inspired by anything, no matter how trivial or adolescent, on “Egg Man” the Beasties turn their shell-cracking exploits into a mock-heroic epic full of faux pathos and legitimate laughs

With “Johnny Ryall”, the Beastie Boys manage to challenge the audience’s ideas of what it has come to expect from hip-hop. The Beasties were no longer just rappers--they were crafters of one of the 1980s’ great short stories.