Figuring out some arguments by exegesis: a witty conversation with author, artist, and academic, Wayne Koestenbaum.
It would be a snap to design a super engaging graduate-level course in a variety of Humanities disciplines around Fandom as Methodology.
When was the last time you went an entire day without encountering a face? Probably literally never.
Sink into the metatextual delights of a touchstone ranting about his own touchstone with Steve Almond's Stoner and the Battle for the Inner Life.
How are humans regulating the internet through hashtags? What kind of algorithms are generating the content in your feeds? Best read Elizabeth Losh's Hashtag.
Although the topics in John Berger and Selçuk Demirel's excellent What Time Is It may instinctively feel morbid and fraught, the overall effect is quite satisfying, even tranquilizing.
Graduate school, everyone? The glory of Jordan Alexander Stein's Theory is that it unmasks both the utility and the futility of theory.
Eric Schwitzgebel's excellent and accessible philosophy in A Theory of Jerks and Other Philosophical Misadventures would be great at parties—just open up to any random three-page essay, read it aloud, and let the conversation flow.
You don't even know what you don't know about how Muslim women dress until you read Elizabeth Bucar's Pious Fashion.
Year of the Monkey makes clear that the Godmother of Punk still delivers every time. But what have we done to Patti Smith with our worship?
Metatexually dazzling yet absurdly soothing, Helen McClory's The Goldblum Variations will put a dent in your bad vibes.
There are several broken heel stories in fashion photography book Our Shoes, Our Selves, but no stories that elucidate how to break with the expectation of heels.
Music documentary Echo in the Canyon beautifully captures Jakob Dylan's search for the best lessons in collaboration from pioneering California Sound supergroups.
Terry Eagleton's Humor wisely makes no argument beyond a survey of all the ways one can debunk some portion of all preceding theories of humor.
In her history of women in punk music, Revenge of the She-Punks, Vivien Goldman hefts the scene's virtues and the vices into one heap and concludes that some of it was necessary, some of it was fun, and some of it was evil.
Ani DiFranco is growing up and getting over herself. Her memoir, No Walls and the Recurring Dream, highlights the ironies of a one-of-a-kind musical legacy.
Satire's American King Bret Easton Ellis Whites Himself Out with Alleged Work of Non-Fiction, 'White'
Let's pretend for a moment that Bret Easton Ellis is capable of such a staggering feat of truth-telling, and read White as if it is indeed a work of nonfiction.
The lovely cadences in Summer Brennan's High Heel stack up like so many sand castles that sift iconic examples of high heels into a finely grained pile of pros and cons that each reader will sift through quite differently.