After deciding to drastically increase their usage of strings, the controversial four-piece follows up on their debut with an album that suffers from familiar flaws.
One of indie-rock’s most consistent songwriters, Spencer Krug has produced, in Sunset Rubdown’s third album, an epic release that proves to be the most ambitiously satisfying of his career.
The Go! Team's second album does more than solidify their position as youthfully energetic performers with a masterful blend of hip-hop, dance, funk, and left-field pop.
Their name has nothing to do with Elton John and their country-oriented style is hardly reminiscent of their native country, but the UK’s Tiny Dancers have churned out a very worthwhile debut nonetheless.
The second album from ex-Mercury Rev keyboardist Justin Russo displays an improved comprehension of gripping country and chamber-pop intentions with a large slew of melodic hooks.
Japanese composer Katsuhiko Maeda expertly blends instrumental post-rock with chaotic orchestral elements to bring out the most authentic of human emotions.
