Sam Raimi’s Spider-Man trilogy is like his Evil Dead trilogy: the first entry is self-conscious, the second is more of a remake than a sequel, and the third is so different from the first two that it almost qualifies as a different genre.
The Mighty Morphin’ Power Rangers TV series was after my time, and a passing glance at any given episode was enough to convince me that it was, well, 'stunted'. So why have I seen Power Rangers: the Movie five times?
How will my daughter feel when her friends greet her in 2030 with an enthusiastic shout-out to Hannah Montana or SpongeBob SquarePants and she can only remember Bebop, Rocksteady, the Gentleman Ghost and Gyro Gearloose?
If Preacher’s longtime fans were to take a fresh look at its nine uneven volumes today, would nostalgia keep them from noticing its flaws, or would they banish it to the realm of other crude, corny, ostensibly shocking ‘90s relics like South Park, Attitude-era WWF shows and Kevin Smith movies?
You can almost sense how self-conscious Scooter felt when it came time to engage in the traditional opening-theme self-promotion; Scooter's entire personality boils down to consumerism: "I've got my computer."
In 1989, I loathed the New Kids on the Block with a passion and intensity that only junior high-aged children can bring to their study of popular culture, yet when Hangin’ Tough Live hit DVD, I had to see it.