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Shy Child: Noise Won't Stop

Live energy and racing tempos have translated to studio recording very well, but the band's genre decisions, intentional or not, may not be maximizing their potential.

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Angel: Kalmukia

Drone of uncommon vision and scope, from microscopic detailing to monolith force to utter swallowing void.

Nate Dorr
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Fennesz: Hotel Paral.lel

Endless Summer may be the most recognized Fennesz release, but even as far back as 1997 he was laying down a template for the tension of that album's lovely guitar shimmer and abrasive scraps of feedback.

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Dirty Projectors: Rise Above

This is some kind of alchemy, turning straight-shooting punk guitar riffs into quiet breaths of orchestration and shouted choruses into cooing two-part female harmonies.

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