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Call Super's New LP Is a Digital Biosphere of Insectoid and Otherworldly Sounds

Call Super's Every Mouth Teeth Missing is like its own digital biosphere, rife with the sounds of the forest and the sounds of the studio alike.

Music

Jonnine's 'Blue Hills' Is an Intimate Collection of Half-Awake Pop Songs

What sets experimental pop's Jonnine apart on Blue Hills is her attention to detail, her poetic lyricism, and the indelibly personal touch her sound bears.

Music

Tricky's 'Fall to Pieces' Lacks the Risk-Taking of his Early Work

Tricky's Fall to Pieces gives the impression of an artist struggling to sustain his vision, leaning on his collaborators to make up for the lack of it. Like on the last two albums, Tricky sounds too restrained here.

Music

Ghetto Kumbé's First LP Is Roots Music From the Future

What sets Ghetto Kumbé apart is their ability to mix the traditional and modern so seamlessly in their music. One minute you're on a Colombian dance floor, and the next you're singing along with the tribes of West Africa.

Music

Actress' ​​'88'​​ Is ​a Beautiful Mess of Snaps, Pops, and Glitches

88 is not the most consistent Actress album to date, but it is probably the wonkiest. Parts of it sound like relics from the analog era; others sound like nothing else on earth.

Music

Electronic Producer Nahash's Debut Feels Handmade for Revolution

The most impressive thing about Nahash's Flowers of the Revolution is that it's so unabashedly political despite being almost devoid of vocals. The politics come through in the struggle of contrasting elements.

Music

Daniel Avery's Versatility Is Spread Rather Thin on 'Love + Light'

Because it occasionally breaks new ground, Daniel Avery's Love + Light avoids being an afterthought from start to finish. The best moments here are generally the hardest-hitting ones.

Music

Regis' New LP Reaffirms His Gift for Grinding Industrial Terror

Regis' music often feels so distorted, so twisted out of shape, even the most human moments feel modular. Voices become indistinguishable from machines on Hidden in This Is the Light That You Miss.

Music

Lee Jones' 'Down Into Light' Is a Minutiae-Scanning Beauty of Minimal Techno

Down Into Light feels like the album Lee Jones was always born to make. He's always had a lightness of touch, but here, his touch is more delicate than ever.

Music

Maurice Fulton's New LP is a Worthy Addition to the BOOF Canon

Maurice Fulton (BOOF) is a maestro of production value, adept at so many different sub-genres, and he's been at it for so long that he seems guaranteed not to fail. Almost 30 years since "Gypsy Woman", Rebirth of Gerberdaisy affirms all his gifts.

Music

Kaitlyn Aurelia Smith's New LP Is Lacking in Songcraft but Rich in Texture

Kaitlyn Aurelia Smith's The Mosaic of Transformation is a slightly uneven listen. It generally transcends the tropes of its genre, but occasionally substitutes substance for style.

Music

Producer Roza Terenzi's ​​Debut LP Shows Flashes of Greatness​

Producer Roza Terenzi's Modern Bliss shows she can take on many sounds at once—jungle, dub, trance, deep house, and classic Detroit techno—without sacrificing any flair or any nuance.

Music

Nicolás Jaar's 'Cenizas' Is a Woozy, Ambient Masterwork

Cenizas is the sound of Nicolás Jaar skirting around the edges of his own sound—skeletal, stripped-back, examining the little things that made his music so great to begin with.

Music

DJ Python's 'Mas Amable' Is a Loopy, Continuous Dream

On DJ Python's Mas Amable, everything moves along in a liquid haze. Each song slowly mutates into the next, and each sound seems to become something unlike itself.


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