Alfred Hitchcock helped to create the modern horror genre, the modern thriller, and the modern black comedy. He changed film, even as he was inventing new ways to approach it. Stay tuned through October as we present our collection of essays on the Master of Suspense.
Psycho stands out not only for being one of Alfred Hitchcock's greatest films, it is also one of his most influential. It has been a template and source material for an almost endless succession of later horror films, making it appropriate to identify it as the mother of all horror films.
In today's installment of our retrospective survey of Alfred Hitchcock's singular career we revisit his first major statements. Thrillingly, all of Hitchcock's trademark themes and signature moves are visible in these early masterpieces -- an uncanny talent, Hitch arrived, it would seem, fully formed.
With discussions of characters like Leon Ray Livingston (a.k.a. "A-No. 1"), credited with consolidating the entire system of hobo communication in the 1910s, and Kathy Zuckerman, better known as the surf icon "Gidget", Susan A. Phillips' lavishly illustrated The City Beneath: A Century of Los Angeles Graffiti, excerpted here from Yale University Press, tells stories of small moments that collectively build into broad statements about power, memory, landscape, and history itself.
As part of PopMatters’ 20th anniversary, we are revisiting classic features. Travel back in time a decade ago to 2009, when indie rock was in its full ascendency,and hear the songs that soundtracked the era.
Underground palaces in communist spaces provide not only transport but also refuge in the former USSR. Enjoy this excerpt of photographer Christopher Herwig and author Owen Hatherley's Soviet Metro Stations, from FUEL Publishing.
PopMatters turns 20 years old this October and we're beginning to celebrate our history by taking you back in time a decade ago. Obama was in the White House and the musical times were very good indeed. Revisit 2009 through its best albums.
As we approach PopMatters' 20th anniversary this October, we are re-presenting some of our most popular features of all time. This list of the best "alternative" songs of the 1990s followed a year after our similar '80s list and was one of most popular series ever.
As we head into a brief summer publication break to enjoy the summer sun for a few days, it's the perfect time to take stock of the year in music so far. PopMatters returns to our normal publishing schedule on Monday, 8 July.
"Come Get Me" sounds a little like early-period Shins with its herky-jerky vocal melody that Stephen Malkmus isn't afraid to run into the ground, not to mention an arrangement that just barely exists on the good side of modern indie cliché.
Icelandic electropop trio, Vök's "Erase You" is a testament to strength although it's not outwardly apparent. It expresses emotional mutability and the ultimate belief that strength can be derived from subjection.