Quentin Huff is an attorney, writer, visual artist, and professional tennis player who lives and works in Winston-Salem, North Carolina. In addition to serving as an adjunct professor at Wake Forest University School of Law, he enjoys practicing entertainment law. When he's not busy suing people or giving other people advice on how to sue people, he writes novels, short stories, poetry, screenplays, diary entries, and essays. Quentin's writing appears, or is forthcoming, in: Casa Poema, Pemmican Press, Switched-On Gutenberg, Defenestration, Poems Niederngasse, and The Ringing Ear, Cave Canem's anthology of contemporary African American poetry rooted in the South. His family owns and operates Huff Art Studio, an art gallery specializing in fine art, printing, and graphic design. Quentin loves Final Fantasy videogames, Barbara Kingsolver's The Poisonwood Bible, his mother Earnestine, PopMatters, and all things Prince.
Following Stormzy's run up the charts, 2019 proved to be a banner year for British hip-hop with a trio of masterpieces. America's myriad hip-hop scenes delivered the goods, and African rap gave us many stellar releases.
This travelogue takes us four locales: Havana, Chicago, Sydney and Caracas. Each locale translates into distinctive interactions with hip-hop and its pillars of deejaying, emceeing, b-boying, and graffiti.
The value of a release as large as Watch the Throne is that it goes beyond the gargantuan personalities involved or even the monster show dates designed to promote it. Part of the value is the discussion it generates.