In an age when the personal is political feels as necessary as ever, we identify most with experimenters who transcend the throwing-shit-at-a-wall, banging-on-pots-and-cans approach. These artists occupy the earthly just as much as they occupy the mechanical and the celestial.
London sonic artist, Klein unleashes a terrifying work of dark experimental music, molded from the debris of her electronic and R&B background and infused with the richness of sonic collage and the free-flowing essence of abstract music.
October is dominated by heavyweight returns from noise rock pioneers Swans and Lightning Bolt, while also filled with the black metal bleakness of Blut Aus Nord and the Great Old Ones, while Vastum continue 20 Buck Spin's death metal master class streak.
September is filled with exciting heavy releases, most notably the return of post-metal icons Cult of Luna, the sophomore record of post-black metal mavericks White Ward, and the resurrection of experimental proto-black metallers Mortem.
For what is generally considered to be quiet month, the unearthly forces of the underground have produced a surprising amount of excellent works, with death metal and its black/death extension taking the lion's share.
Unconventional rock albums, from poppy sludge outfit Torche, noise rock masters Uzeda and post-hardcore outcasts Cherubs, along with the black metal fury of Falls of Rauros, False, Arkhaik, Celestial Grave and Sanguine Eagle and uncategorized extremists Immortal Bird are among this month's extreme output.
Slough Feg carry on their heavy metal journey while Darkthrone keep digging towards their proto-punk/heavy metal core. Baroness return with their most ambitious work to date, while Pinkish Black continue to explore the endless possibilities of synth driven extreme music.