Film

Viewer Discretion Advised: 21 April, 2007

You'd never know that Spring was just around the corner – that lousy groundhog. Baseball has had several of its opening week games postponed or relocated due to snow, and a nasty Nor'easter tore through the upper half of the US, causing damage – and a few deaths – along the way. If the showers we've seen this April are any indication, May's gonna be overgrown with floral facets. Perhaps we can all dry off with a weekend in front of the idiot box. There's some fresh fare there, including a hilarious satire on a very strange subject, a dumb gearhead actioner, another failed drama from a former directorial god, and a wicked little indie effort. Toss in the typical outsider and non-Tinsel Town odds and ends and you've got plenty to keep you couch bound and (somewhat) happy. And before you know it, it will be time to complain about the heat. Let's begin with the weekend of 21 April's best bet:

Premiere Pick

Thank You For Smoking

It's a highly unorthodox premise - especially for a comedy. A cutthroat tobacco lobbyist – played by pseudo star Aaron Eckhart – spends his days shilling for cigarettes while trying to connect to his distant 12 year old son. Not your normal laugh riot. But it's obvious that some small amount of funny business filmmaking rubbed off onto Jason Reitman from his famous father, Ivan. After a series of well received comic shorts, this first attempt at a feature was a clear critical success. While many will still have massive problems with the subject matter – after all, when was the last time anyone considered smoking to be socially acceptable, let alone worth joking about. But thanks to the wonderful source material (Christopher Buckley's book remains highly regarded) and an inherent way with wit, Reitman's debut marks the beginning of a potentially profitable stint behind the lens – both commercially and comically. (21 April, Cinemax, 10PM EST)

Additional Choices

The Fast and the Furious: Tokyo Drift

Same premise, same storyline, different locale. For this third go around in the FF franchise, our pissed off pre-adult heroes head to Japan, where drifting is all the rage. Apparently, this means kids destroy their brakes and alignment by purposefully fishtailing their back tires. Peachy! As an aside, beware of those earworm masters The Teriyaki Boys. Their hideous theme song plays throughout this derivative action pic. (21 April, HBO, 8PM EST)

Find Me Guilty

Sidney Lumet wants to return to the courtroom drama with this movie about a mobster who decides to defend himself during an important trial. Sadly, he brings along a toupee sprouting Vin Diesel to play his lead. Things only grow more groan inducing from there. While many praised both the 'Pacifier' and his performance, this is no Verdict or Serpico. In fact, it's barely worth comparing to Lumet's other concrete credits. (21 April, Starz, 9PM EST)
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Edmund

Turn off the Tudors marathon for a moment and switch the dial over to this William H. Macy tour de force. Playing a man who finds his life unraveling over one long, intolerance filled night, Macy is magnificent, channeling all the rage and rejection of the title character. Even more amazing is who's behind the camera. Casting fictional horror aside for the moment, Re-Animator's Stuart Gordon steps up to deliver his own look at NYC as Hell. (21 April, ShowTOO, 10PM EST)

Indie Pick

We Jam Econo: The Story of The Minutemen

Thanks to DVD, and in some small ways, the success of Michael Moore and Morgan Spurlock, the documentary has finally come of age as viable commercial cinema. Even better, filmmakers are finding that even the most obscure subject can reap remarkable artistic benefits. Take this amazing movie about the seminal '80s post-proto punk band The Minutemen. Thanks to a wealth of astonishing performance footage, some rare group interviews and present day chat ups with the remaining members, we learn how three disaffected youths from San Pedro, California became an unmatched rock and roll force. With the death of leader D. Boon hanging over every frame (he died tragically in an auto accident in '85), there is a meaningful melancholia attached to discovering how powerful and potent this musical maelstrom once was. Thanks to director Tim Irwin, and the magic of the digital format, his story has been perfectly preserved for generations to discover and appreciate. (23 April, Sundance, 9PM EST)

Additional Choices

Magnolia

For his follow-up to Boogie Nights, writer/director Paul Thomas Anderson forged this heartfelt homage to idol Robert Altman and his multifaceted masterpiece Short Cuts. Instead of channeling Raymond Chandler, however, PTA went biblical with his tale of several solemn individuals whose lives intersect in strange, almost spiritual ways. Featuring one of Tom Cruise's best performances and similarly classic turns by Julianne Moore, William H. Macy, and Thomas regular John C. Reilly, this epic exploration of human emotion stands as one of the '90s great films. (21 April, IFC, 11PM EST)

Dancer in the Dark

The musical doesn't seem like the best genre to fit within director Lars Von Trier's Dogma '95 ideal, but somehow, the crazed Danish director makes it work. With Icelandic muse Bjork in the lead, this depression era drama about a foreign factory worker who thinks that America is all one big Hollywood movie mixes unbelievable hardship with sudden bursts of song. Some will find this film frustrating and obtuse. Others will simply appreciate Von Trier's attempt to reinvent the filmic format. (23 April, IFC, 2:30PM EST)

Let's Rock Again

With the passing of Joe Strummer from a heart attack in 2002 (he was just 50!) any hopes that the punk rock rebels The Clash would ever reunite were dashed forever. Thanks to documentarian Dick Rude, this one hour love letter to the fabled frontman catches up with his solo career, and the unbridled joy he had when performing. It's just a shame he didn't live to see the full impact of his legacy. Luckily, his music will remain with us forever. (26 April, Sundance, 10AM EST)

Outsider Option

Plan Nine from Outer Space/ Bride of the Monster

Ed Wood gets a bum rap these days. After years of perpetuating the myth that he is the worse director in the world (thank you very much, Medved brothers), DVD has really helped rehabilitate his status. After a double dose of Dr. Uwe Boll or a retrospective of Raja Gosnell's crappy canon, our main man in angora looks like a flipping genius. Indeed, many mistake Wood's wonky way with narrative and script as something to savage. But he's so innocent in his incompetence, so fully ensconced in his errors that it comes across as visionary, not vile. Now, thanks to the random Rob Zombie-ing of TCM's Underground, two of the masters amazing mess-terpieces are available for sampling. While Plan 9 is the more noted of the two, Bride of the Monster has its own calculated cool. Together, they tell a decidedly different story about who Ed Wood was, both as an artist and a misrepresented legend. (21 April, Turner Movie Classics, 2AM EST)

Additional Choices

Priest

Rife with scandal the moment it was released, this look at the hypocritical conceit that exists between religion and reality doesn't follow the standard storyline. Instead of pedophilia, this movie mocks the traditional vow of celibacy, and how harmful it is to both individuals and their faith. The title character, a cleric torn between the Lord and his gay lover, illustrates all these points in passionate, perplexing form. (23 April, Indieplex, 11:15PM EST)

Rope

It's often considered one of Hitchcock's failed experiments, a standard murder mystery made up of a series of four to ten minute "continuous takes". Entire scenes were filmed without edits, meaning camera movement and angles had to be carefully choreographed around the acting of the cast. For this reason, many find the movie mannered and obvious. But if you can ignore the stylization, you'll be rewarded with another of the Master of Suspense's visionary wonders. (25 April, Retroplex, 6:35PM EST)

The Solid Gold Cadillac

Poor Judy Holiday. She was a classic city gal trading on her metropolitan moxie to bring a level of intelligence and strength to the basic dumb blond roles she was given. Sadly, her death from breast cancer at the age of 43 kept her legacy from fully developing. Still, the Tony and Oscar winning actress is very good in this corporate comedy, a typical late '50s laugher about bumbling big businessmen and the outrages of industry. What makes this a passion pit presentation is a real head scratcher. (26 April, Drive-In Classics, Canada, 9PM EST)

From genre-busting electronic music to new highs in the ever-evolving R&B scene, from hip-hop and Americana to rock and pop, 2017's music scenes bestowed an embarrassment of riches upon us.


60. White Hills - Stop Mute Defeat (Thrill Jockey)

White Hills epic '80s callback Stop Mute Defeat is a determined march against encroaching imperial darkness; their eyes boring into the shadows for danger but they're aware that blinding lights can kill and distort truth. From "Overlord's" dark stomp casting nets for totalitarian warnings to "Attack Mode", which roars in with the tribal certainty that we can survive the madness if we keep our wits, the record is a true and timely win for Dave W. and Ego Sensation. Martin Bisi and the poster band's mysterious but relevant cool make a great team and deliver one of their least psych yet most mind destroying records to date. Much like the first time you heard Joy Division or early Pigface, for example, you'll experience being startled at first before becoming addicted to the band's unique microcosm of dystopia that is simultaneously corrupting and seducing your ears. - Morgan Y. Evans

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Music

The Best Dance Tracks of 2017

Photo: Murielle Victorine Scherre (Courtesy of Big Beat Press)

From the "shamanic techno" of Parisian duo Pouvoir Magique to Stockholm Noir's brilliant string of darkly foreboding, electro-licked singles, here are ten selections that represent some of the more intriguing dance offerings of 2017.

In June of 2016, prolific producer Diplo lambasted the world of DJ's in an interview with Billboard, stating that EDM was dying. Coincidentally enough, the article's contents went viral and made their way into Vice Media's electronic music and culture channel Thump, which closed its doors after four years this summer amid company-wide layoffs. Months earlier, electronic music giant SFX Entertainment filed bankruptcy and reemerged as Lifestyle, Inc., shunning the term "EDM".

So here we are at the end of 2017, and the internet is still a flurry with articles declaring that Electronic Dance Music is rotting from the inside out and DJ culture is dying on the vine, devoured by corporate greed. That might all well be the case, but electronic music isn't disappearing into the night without a fight as witnessed by the endless parade of emerging artists on the scene, the rise of North America's first Electro Parade in Montréal, and the inaugural Electronic Music Awards in Los Angeles this past September.

For every insipid, automaton disc jockey-producer, there are innovative minds like Anna Lunoe, Four Tet, and the Black Madonna, whose eclectic, infectious sets display impeccable taste, a wealth of knowledge, and boundless creativity. Over the past few years, many underground artists have been thrust into the mainstream spotlight and lost the je ne sais quoi that made them unique. Regardless, there will always be new musicians, producers, singers, and visionaries to replace them, those who bring something novel to the table or tip a hat to their predecessors in a way that steps beyond homage and exhilarates as it did decades before.

As electronic music continues to evolve and its endless sub-genres continue to expand, so do fickle tastes, and preferences become more and more subjective with a seemingly endless list of artists to sift through. With so much music to digest, its no wonder that many artists remain under the radar. This list hopes to remedy that injustice and celebrate tracks both indie and mainstream. From the "shamanic techno" of Parisian duo Pouvoir Magique to Stockholm Noir's brilliant string of darkly foreboding, electro-licked singles, here are ten selections that represent some of the more intriguing dance offerings of 2017.

10. Moullinex - “Work It Out (feat. Fritz Helder)”

Taken from Portuguese producer, DJ, and multi-instrumentalist Luis Clara Gomes' third album Hypersex, "Work It Out" like all of its surrounding companions is a self-proclaimed, "collective love letter to club culture, and a celebration of love, inclusion and difference." Dance music has always seemingly been a safe haven for "misfits" standing on the edge of the mainstream, and while EDM manufactured sheen might have taken the piss out of the scene, Hypersex still revels in that defiant, yet warm and inviting attitude.

Like a cheeky homage to Rick James and the late, great High Priest of Pop, Prince, this delectably filthy, sexually charged track with its nasty, funk-drenched bass line, couldn't have found a more flawless messenger than former Azari & III member Fritz Helder. As the radiant, gender-fluid artist sings, "you better work your shit out", this album highlight becomes an anthem for all those who refuse to bow down to BS. Without any accompanying visuals, the track is electro-funk perfection, but the video, with its ruby-red, penile glitter canon, kicks the whole thing up a notch.

9. Touch Sensitive - “Veronica”

The neon-streaked days of roller rinks and turtlenecks, leg warmers and popped polo collars have come and gone, but you wouldn't think so listening to Michael "Touch Sensitive" Di Francesco's dazzling debut Visions. The Sydney-based DJ/producer's long-awaited LP and its lead single "Lay Down", which shot to the top of the Hype Machine charts, are as retro-gazing as they are distinctly modern, with nods to everything from nu disco to slo-mo house.

Featuring a sample lifted from 90s DJ and producer Paul Johnson's "So Much (So Much Mix)," the New Jack-kissed "Veronica" owns the dance floor. While the conversational interplay between the sexed-up couple is anything but profound, there is no denying its charms, however laughably awkward. While not everything on Visions is as instantly arresting, it is a testament to Di Francesco's talents that everything old sounds so damn fresh again.

8. Gourmet - “Delicious”

Neither Gourmet's defiantly eccentric, nine-track debut Cashmere, nor its subsequent singles, "There You Go" or "Yellow" gave any indication that the South African purveyor of "spaghetti pop" would drop one of the year's sassiest club tracks, but there you have it. The Cape Town-based artist, part of oil-slick, independent label 1991's diminutive roster, flagrantly disregards expectation on his latest outing, channeling the Scissor Sisters at their most gloriously bitchy best, Ratchet-era Shamir, and the shimmering dance-pop of UK singer-producer Joe Flory, aka Amateur Best.

With an amusingly detached delivery that rivals Ben Stein's droning roll call in Ferris Bueller's Day Off , he sings "I just want to dance, and fuck, and fly, and try, and fail, and try again…hold up," against a squelchy bass line and stabbing synths. When the percussive noise of what sounds like a triangle dinner bell appears within the mix, one can't help but think that Gourmet is simply winking at his audience, as if to say, "dinner is served."

7. Pouvoir Magique - “Chalawan”

Like a psychoactive ayahuasca brew, the intoxicating "shamanic techno" of Parisian duo Pouvoir Magique's LP Disparition, is an exhilarating trip into unfamiliar territory. Formed in November of 2011, "Magic Power" is the musical project of Clément Vincent and Bertrand Cerruti, who over the years, have cleverly merged several millennia of songs from around the world with 21st-century beats and widescreen electro textures. Lest ye be worried, this is anything but Deep Forest.

In the spring of 2013, Pouvoir Magique co-founded the "Mawimbi" collective, a project designed to unite African musical heritage with contemporary soundscapes, and released two EPs. Within days of launching their label Musiques de Sphères, the duo's studio was burglarized and a hard drive with six years of painstakingly curated material had vanished. After tracking down demos they shared with friends before their final stages of completion, Clément and Bertrand reconstructed an album of 12 tracks.

Unfinished though they might be, each song is a marvelous thing to behold. Their stunning 2016 single "Eclipse," with its cinematic video, might have been one of the most immediate songs on the record, but it's the pulsing "Chalawan," with its guttural howls, fluttering flute-like passages, and driving, hypnotic beats that truly mesmerizes.

6. Purple Disco Machine - “Body Funk” & “Devil In Me” (TIE)

Whenever a bevy of guest artists appears on a debut record, it's often best to approach the project with caution. 85% of the time, the collaborative partners either overshadow the proceedings or detract from the vision of the musician whose name is emblazoned across the top of the LP. There are, however, pleasant exceptions to the rule and Tino Piontek's Soulmatic is one of the year's most delightfully cohesive offerings. The Dresden-born Deep Funk innovator, aka Purple Disco Machine, has risen to international status since 2009, releasing one spectacular track and remix after another. It should go without saying that this long-awaited collection, featuring everyone from Kool Keith to Faithless and Boris D'lugosch, is ripe with memorable highlights.

The saucy, soaring "Mistress" shines a spotlight on the stellar pipes of "UK soul hurricane" Hannah Williams. While it might be a crowning moment within the set, its the strutting discofied "Body Funk", and the album's first single, "Devil In Me", that linger long after the record has stopped spinning. The former track with its camptastic fusion of '80s Sylvester gone 1940s military march, and the latter anthem, a soulful stunner that samples the 1968 Stax hit "Private Number", and features the vocal talents of Duane Harden and Joe Killington, feels like an unearthed classic. Without a doubt, the German DJ's debut is one of the best dance records of the year.

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