Film

Who's Minding the Store: 22 May, 2007

Aren’t you sick of the Summer Movie Season already? Granted, it's only been three weeks, but with its rollercoaster conceit of overly hyped/underwhelming tre-quels and box office browbeating over whose unnecessary retreat will reign supreme, it seems like the next three months will be one massive misfire after another. And it's already getting very old. While there is some legitimate relief on the way in the guise of Judd Apatow's amazing Knocked Up (more on that in future sections), anyone hoping for a little artistry among the artifice is barking up the wrong bush. Still, there's always the digital domain to save us from Hollywood's annual hog and phony show, and this week's offerings are consistently excellent (with one shockingly lame farcical flop excluded). So save yourself a trip to the Cineplex and revel in one of the many memorable picks for 22 May, including SE&L's solid selection:

Apocalypto

Had stumbling superstar Mel Gibson not ruined his reputation by giving in to his inner racist ideals, he would probably have had another massive mainstream hit on his hands with this incredibly adept period piece. As much about the setting as the stunt work, Gibson turned an ancient Mayan civilization with its rituals and superstitions into a kind of organic science fiction. He drops us directly into the middle of a mesmerizing, slightly surreal locale and then leaves us with very little that is recognizable or real. Instead, we must piece together the reigning realities like fragments of an ancient puzzle. With its direct from digital glow (Gibson avoided film for cost considerations) and sublime art direction, we never once doubt the authenticity or accuracy of the tale (though scholars have frowned on some of the historical errors). Besides, it's one of the best movies ever to attempt the lo-tech action genre.

Other Titles of Interest

Epic Movie

Someone forgot to tell the makers of these meaningless spoof movies that the comedy only works when the target has become a part of the legitimate pop cultural lexicon, not merely some flash in the pan fad that's here today and forgotten a fortnight from now. Whatever the case, as long as there are ADD addled audiences willing to support such drivel, Tinsel Town will keep churning them out.

Prince of the City: Special Edition

Some consider this to be Sidney Lumet's last great film (with the occasionally manipulative The Verdict riding in a close second), and in some ways, they're right. It was the last time Lumet would let his material do the talking, permitting this story of police corruption and the officer/whistleblower who risked his career – and life - to reveal it, develop organically without contrivance. Thanks to a terrific turn by lead Treat Williams, it remains a forgotten gem.

Sansho the Bailiff: The Criterion Collection

Japanese cinema doesn't get more beautiful or heartbreaking than this stellar drama from Ugetsu director Kenji Mizoguchi. In a career that spanned nearly 50 years (he began making silent films in 1923), this tale of an exiled governor and the family desperate to reunite with him is considered a creative crowning achievement. Thanks to those experts at Criterion, the proof is there for all to see. div>

The Third Man: The Criterion Collection

Carol Reed's signature film is also his most unabashedly brilliant work. Mixing a flawlessly crafted combination of acting, story, setting and subtext, what starts out as a standard thriller becomes an existential exercise in identity and duty. If you don’t already own a copy (shame on you), now's your chance to get the latest treasure trove treatment from DVDs' best preservationists. Apparently, modern director Steven Soderbergh is on hand to deliver a definitive commentary.

Venus

It's sad, when you think about it. Longtime Oscar bridesmaid Peter O'Toole was practically guaranteed an Academy Award for this supposed swansong performance as an aging actor who falls for a troubled gal 50 years his younger. No one could deny the grand thespian's presence, but when placed alongside work from Leonardo DiCaprio, Ryan Gosling, and eventual winner Forest Whitaker, he just couldn't compete. Not the brightest way to end a stellar cinematic career.

And Now for Something Completely Different

Straight Time

It seems like an odd combination at first: intense New York actor Dustin Hoffman playing a recently paroled LA ex-con looking to change his life and mend his ways. But thanks to the impressive artistic approach taken by experimental director Ulu Grosbard – call it 'languid legitimacy' – what we end up with is one of the two time Oscar winner's strongest performances. Naturally, Hoffman's Max Dembo is a tormented man who can't stay out of crime's way (thanks in part to a power mad probation officer played by M. Emmet Walsh) and he's soon on a rampage to repay society for having such unflinching faith in its penal system. Long forgotten by supporters of '70s cinema, this new to DVD release should function as a way of rediscovering this legitimate motion picture classic.

From genre-busting electronic music to new highs in the ever-evolving R&B scene, from hip-hop and Americana to rock and pop, 2017's music scenes bestowed an embarrassment of riches upon us.


60. White Hills - Stop Mute Defeat (Thrill Jockey)

White Hills epic '80s callback Stop Mute Defeat is a determined march against encroaching imperial darkness; their eyes boring into the shadows for danger but they're aware that blinding lights can kill and distort truth. From "Overlord's" dark stomp casting nets for totalitarian warnings to "Attack Mode", which roars in with the tribal certainty that we can survive the madness if we keep our wits, the record is a true and timely win for Dave W. and Ego Sensation. Martin Bisi and the poster band's mysterious but relevant cool make a great team and deliver one of their least psych yet most mind destroying records to date. Much like the first time you heard Joy Division or early Pigface, for example, you'll experience being startled at first before becoming addicted to the band's unique microcosm of dystopia that is simultaneously corrupting and seducing your ears. - Morgan Y. Evans

Keep reading... Show less

The year in song reflected the state of the world around us. Here are the 70 songs that spoke to us this year.

70. The Horrors - "Machine"

On their fifth album V, the Horrors expand on the bright, psychedelic territory they explored with Luminous, anchoring the ten new tracks with retro synths and guitar fuzz freakouts. "Machine" is the delicious outlier and the most vitriolic cut on the record, with Faris Badwan belting out accusations to the song's subject, who may even be us. The concept of alienation is nothing new, but here the Brits incorporate a beautiful metaphor of an insect trapped in amber as an illustration of the human caught within modernity. Whether our trappings are technological, psychological, or something else entirely makes the statement all the more chilling. - Tristan Kneschke

Keep reading... Show less
Culture

Net Neutrality and the Music Ecosystem: Defending the Last Mile

Still from Whiplash (2014) (Photo by Daniel McFadden - © Courtesy of Sundance Institute) (IMDB)

"...when the history books get written about this era, they'll show that the music community recognized the potential impacts and were strong leaders." An interview with Kevin Erickson of Future of Music Coalition.

Last week, the musician Phil Elverum, a.k.a. Mount Eerie, celebrated the fact that his album A Crow Looked at Me had been ranked #3 on the New York Times' Best of 2017 list. You might expect that high praise from the prestigious newspaper would result in a significant spike in album sales. In a tweet, Elverum divulged that since making the list, he'd sold…six. Six copies.

Keep reading... Show less

Under the lens of cultural and historical context, as well as understanding the reflective nature of popular culture, it's hard not to read this film as a cautionary tale about the limitations of isolationism.

I recently spoke to a class full of students about Plato's "Allegory of the Cave". Actually, I mentioned Plato's "Allegory of the Cave" by prefacing that I understood the likelihood that no one had read it. Fortunately, two students had, which brought mild temporary relief. In an effort to close the gap of understanding (perhaps more a canyon or uncanny valley) I made the popular quick comparison between Plato's often cited work and the Wachowski siblings' cinema spectacle, The Matrix. What I didn't anticipate in that moment was complete and utter dissociation observable in collective wide-eyed stares. Example by comparison lost. Not a single student in a class of undergraduates had partaken of The Matrix in all its Dystopic future shock and CGI kung fu technobabble philosophy. My muted response in that moment: Whoa!

Keep reading... Show less
Books

'The Art of Confession' Ties Together Threads of Performance

Allen Ginsberg and Robert Lowell at St. Mark's Church in New York City, 23 February 1977

Scholar Christopher Grobe crafts a series of individually satisfying case studies, then shows the strong threads between confessional poetry, performance art, and reality television, with stops along the way.

Tracing a thread from Robert Lowell to reality TV seems like an ominous task, and it is one that Christopher Grobe tackles by laying out several intertwining threads. The history of an idea, like confession, is only linear when we want to create a sensible structure, the "one damn thing after the next" that is the standing critique of creating historical accounts. The organization Grobe employs helps sensemaking.

Keep reading... Show less
9
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image