Games

Why the Apple App Store Needs an "Art" Category

An image generated by Serkan Ozkaya's MyMoon

As a pivotal arbiter of culture, Apple should recognize the importance of art by recalibrating "how arts-centered apps are perceived, defined, and discovered in the App Store".

New York based artists Seth Carnes and Serkan Ozkaya, along with gallerist Paulina Bebecka, recently created a petition to get Apple to add an Art category to the App Store. Carnes' justification for the tweak is simple: art is central to culture. As a pivotal arbiter of culture, Apple should recognize the importance of art by recalibrating "how arts-centered apps are perceived, defined, and discovered in the App Store".

Currently, there are 24 categories in the Apple App Store. When an app artist submits artwork to the App Store, which is the only way to distribute apps to Apple device owners, she must choose between the categories Education, Entertainment, or Lifestyle. None of these labels fit the bill.

Horace famously wrote that the purpose of art is "to inform or delight, or to combine together ... both pleasure and applicability to life". This is art's quandary as a cultural phenomenon. It's neither exclusively Education, nor is it Entertainment. Artists like to point out that art expands boundaries. Art also blurs boundaries, straddles them, dissolves them. Art doesn't slide neatly into any readymade category apart from its own. This conundrum of categorization also applies, of course, to app art.

Carnes, Ozkaya, and Bebecka call attention to what every app developer knows; minor tweaks to an app's configuration within the Apple App Store can have major ramifications. In fact, there's a newly emerging discipline dedicated to maximizing App Store exposure. It's even got its own acronym. Where the web in general has SEO, apps have ASO, or app store optimization.

A couple years ago, eBay subsidiary StubHub paid ASO savant Aykut Karaalioglu a million bucks to supercharge the StubHub app's App Store rankings. Incredibly, Karaalioglu spent just 20 grand of the budget to accomplish the feat. In short order, he bumped the app up to a rank of 6 in its own category and up to a ranking of 15 overall. In a brilliant PR move, Karaalioglu returned the rest of the cash. He then parlayed that first client into the founding of a company called Mobile Action, which helps developers optimize their app store positioning.

App artists don't necessarily have the resources or inclination to compete with heavy hitters pouring thousands or hundreds of thousands of dollars into ASO. But Apple by default asks artists to do just that.

Apple leadership may worry that employees in charge of vetting app submissions may be ill-equipped to judge whether an app warrants an "Art" designation. But that's one of the beauties of art. Judging what qualifies as art-- and, concomitantly, what makes for good art -- is a largely democratic process. As they've always done, artists and art connoisseurs themselves will do their part to ensure the integrity of the category.

On the flip side, art institutions find themselves relegated to the Education category. Carnes and company note that while educating its patrons is certainly an important part of the mission of the Met, the Louvre, and Tate Modern, such a categorization doesn't do justice to the central role these venerable institutions play within not only the art world, but also the broader culture.

App artist Scott Snibbe, who worked with Björk to make her app, Biophilia, and whose app artwork is part of the permanent collections at the Whitney Museum and MoMa, reminds us that "Steve Jobs sometimes called his computers works of art." Aaron Sorkin's recent biopic adds another wrinkle to the mythos of Jobs as artist, the Steve Jobs of our collective imagination, the hard-driving, irascible perfectionist.

In their marketing, Apple certainly appeals to the budding artist in all of us. Apple devices have been and will continue to be the tools of choice for what Snibbe calls "digital creators". It behooves Apple to vociferously endorse the notion that creativity is much more than mere "design thinking", a mindset that risks reducing art to being the handmaiden of commerce. Snibbe suggests that, as we continue to contemplate Jobs' legacy, adding an Art category to the Apple App Store would "honor his passion".

Take a moment to visit the +ArtApp site and add your name to the growing list of people who believe Apple should make this small but meaningful improvement to the App Store.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

Keep reading... Show less

Pauline Black may be called the Queen of Ska by some, but she insists she's not the only one, as Two-Tone legends the Selecter celebrate another stellar album in a career full of them.

Being commonly hailed as the "Queen" of a genre of music is no mean feat, but for Pauline Black, singer/songwriter of Two-Tone legends the Selecter and universally recognised "Queen of Ska", it is something she seems to take in her stride. "People can call you whatever they like," she tells PopMatters, "so I suppose it's better that they call you something really good!"

Keep reading... Show less

Morrison's prose is so engaging and welcoming that it's easy to miss the irreconcilable ambiguities that are set forth in her prose as ineluctable convictions.

It's a common enough gambit in science fiction. Humans come across a race of aliens that appear to be entirely alike and yet one group of said aliens subordinates the other, visiting violence upon their persons, denigrating them openly and without social or legal consequence, humiliating them at every turn. The humans inquire why certain of the aliens are subjected to such degradation when there are no discernible differences among the entire race of aliens, at least from the human point of view. The aliens then explain that the subordinated group all share some minor trait (say the left nostril is oh-so-slightly larger than the right while the "superior" group all have slightly enlarged right nostrils)—something thatm from the human vantage pointm is utterly ridiculous. This minor difference not only explains but, for the alien understanding, justifies the inequitable treatment, even the enslavement of the subordinate group. And there you have the quandary of Otherness in a nutshell.

Keep reading... Show less
3

A 1996 classic, Shawn Colvin's album of mature pop is also one of best break-up albums, comparable lyrically and musically to Joni Mitchell's Hejira and Bob Dylan's Blood on the Tracks.

When pop-folksinger Shawn Colvin released A Few Small Repairs in 1996, the music world was ripe for an album of sharp, catchy songs by a female singer-songwriter. Lilith Fair, the tour for women in the music, would gross $16 million in 1997. Colvin would be a main stage artist in all three years of the tour, playing alongside Liz Phair, Suzanne Vega, Sheryl Crow, Sarah McLachlan, Meshell Ndegeocello, Joan Osborne, Lisa Loeb, Erykah Badu, and many others. Strong female artists were not only making great music (when were they not?) but also having bold success. Alanis Morissette's Jagged Little Pill preceded Colvin's fourth recording by just 16 months.

Keep reading... Show less
9

Frank Miller locates our tragedy and warps it into his own brutal beauty.

In terms of continuity, the so-called promotion of this entry as Miller's “third" in the series is deceptively cryptic. Miller's mid-'80s limited series The Dark Knight Returns (or DKR) is a “Top 5 All-Time" graphic novel, if not easily “Top 3". His intertextual and metatextual themes resonated then as they do now, a reason this source material was “go to" for Christopher Nolan when he resurrected the franchise for Warner Bros. in the mid-00s. The sheer iconicity of DKR posits a seminal work in the artist's canon, which shares company with the likes of Sin City, 300, and an influential run on Daredevil, to name a few.

Keep reading... Show less
8
Pop Ten
Mixed Media
PM Picks

© 1999-2017 Popmatters.com. All rights reserved.
Popmatters is wholly independently owned and operated.

rating-image