Zune- DRM friendly, consumer unfriendly... so does Neil Young have the answer?

OK, so what have the entertainment companies learned from trying to educate and fight and figure out consumers in the digital age? Apparently nothing, which is why they're working with Microsoft to make the Zune more user unfriendly and full of DRM. Their theory is that as much as consumers hate to have restrictions on why they listen to or watch, they'll still begrudgingly flock to the legal digital media alternatives because they have no choice.

The problem is that consumers do have a choice and that's to go to unauthorized downloading channels and get the material without all the locks and even with all the lawsuits that the RIAA piles on college campuses, there's little evidence that it's had its intended effect of scaring people into only using label-authorized downloading options. In other words, the pact with Zune will probably have the opposite effect- music and movie fans will shun Zune (which is already hurting in competition with the iPod) rather than embracing it.

If these knuckleheads have a chance of getting potential consumers to embrace and buy into authorized formats, they stand a better chance (though not assured) by getting artists to pony up exclusive material there. A recent example of this is Neil Young's embrace of the Blu-Ray format, which might even help him release his long-threatened Archives series.

Young argues that the new technology lets him deliver more multi-media goodies in a higher quality format. While he's right about Blu-Ray (which is compatible with DVD and CD's for now), the question is whether only rabid fans will take the plunge and invest in the new technology or not. If I had to bet, I'd say that it's unlikely unless many other artists follow Neil's lead and put out exclusive material in Blu-Ray format. Even then, it would be a hard sell to get Gen X to shell out money for to replace music that they already replaced from vinyl to CD. For all the arguments about how MP3's suck in terms of sound quality, the fact of the matter is that most people ain't audiophiles and usually don't notice the difference or care enough to buy a new format player and then replace their collection with higher quality music or movies. As for the post-millennium generation, good luck trying to convert them unless the industry wants to effectively kill off the old formats the same way they did with vinyl (which I think would be a disaster too, even if the market for physical product is dying down as there's still a loyal though smaller following).

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

In the wake of Malcolm Young's passing, Jesse Fink, author of The Youngs: The Brothers Who Built AC/DC, offers up his top 10 AC/DC songs, each seasoned with a dash of backstory.

Keep reading... Show less

Pauline Black may be called the Queen of Ska by some, but she insists she's not the only one, as Two-Tone legends the Selecter celebrate another stellar album in a career full of them.

Being commonly hailed as the "Queen" of a genre of music is no mean feat, but for Pauline Black, singer/songwriter of Two-Tone legends the Selecter and universally recognised "Queen of Ska", it is something she seems to take in her stride. "People can call you whatever they like," she tells PopMatters, "so I suppose it's better that they call you something really good!"

Keep reading... Show less

Morrison's prose is so engaging and welcoming that it's easy to miss the irreconcilable ambiguities that are set forth in her prose as ineluctable convictions.

It's a common enough gambit in science fiction. Humans come across a race of aliens that appear to be entirely alike and yet one group of said aliens subordinates the other, visiting violence upon their persons, denigrating them openly and without social or legal consequence, humiliating them at every turn. The humans inquire why certain of the aliens are subjected to such degradation when there are no discernible differences among the entire race of aliens, at least from the human point of view. The aliens then explain that the subordinated group all share some minor trait (say the left nostril is oh-so-slightly larger than the right while the "superior" group all have slightly enlarged right nostrils)—something thatm from the human vantage pointm is utterly ridiculous. This minor difference not only explains but, for the alien understanding, justifies the inequitable treatment, even the enslavement of the subordinate group. And there you have the quandary of Otherness in a nutshell.

Keep reading... Show less

A 1996 classic, Shawn Colvin's album of mature pop is also one of best break-up albums, comparable lyrically and musically to Joni Mitchell's Hejira and Bob Dylan's Blood on the Tracks.

When pop-folksinger Shawn Colvin released A Few Small Repairs in 1996, the music world was ripe for an album of sharp, catchy songs by a female singer-songwriter. Lilith Fair, the tour for women in the music, would gross $16 million in 1997. Colvin would be a main stage artist in all three years of the tour, playing alongside Liz Phair, Suzanne Vega, Sheryl Crow, Sarah McLachlan, Meshell Ndegeocello, Joan Osborne, Lisa Loeb, Erykah Badu, and many others. Strong female artists were not only making great music (when were they not?) but also having bold success. Alanis Morissette's Jagged Little Pill preceded Colvin's fourth recording by just 16 months.

Keep reading... Show less

Frank Miller locates our tragedy and warps it into his own brutal beauty.

In terms of continuity, the so-called promotion of this entry as Miller's “third" in the series is deceptively cryptic. Miller's mid-'80s limited series The Dark Knight Returns (or DKR) is a “Top 5 All-Time" graphic novel, if not easily “Top 3". His intertextual and metatextual themes resonated then as they do now, a reason this source material was “go to" for Christopher Nolan when he resurrected the franchise for Warner Bros. in the mid-00s. The sheer iconicity of DKR posits a seminal work in the artist's canon, which shares company with the likes of Sin City, 300, and an influential run on Daredevil, to name a few.

Keep reading... Show less
Pop Ten
Mixed Media
PM Picks

© 1999-2017 All rights reserved.
Popmatters is wholly independently owned and operated.