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'The Secret Life of Walter Mitty' - 51st New York Film Festival

Walter Mitty doesn't sport much comedy. It doesn't plunge into a character's emotional depths. But it has an adventurous spirit. And that may be reason enough to see the movie.

Film

Celulloid Culpability - Top 10 Film Guilty Pleasures of 2008

Like comedy or music, one's choice in cinematic pleasure can be very personal - and very peculiar. Take this tantalizing list of shameful indulgences. You can argue over their artistic value, but their individuals rewards definitely speak to those who champion them.

Film

Step Brothers

They're hostile, irritable, and unemployable; it's hilarious but also unsettling.

Reviews

Step Brothers

In Step Brothers, Nancy (Mary Steenburgen) is the ideal audience, the girl who can't fathom the anti-nuances of masculine ritual.

Reviews

The Return of the Popcorn Circus: July 2008

And it just doesn't stop. If part two in this three-ring play was packed with well hyped product, July just keeps the receipt treats coming.

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Tell Me You Love Me

By using visible sex acts to complicate the distinction between what's fake or genuine, the show underscores its thematic focus, on how people lie to each other and themselves.

Television

The Return (2006)

Joanna's restlessness is pathological and symptomatic. "Sometimes," she says, "I think that if I keep moving forward, nothing bad will happen to me."

Film

High Crimes (2002)

'High Crimes' is a movie starring Ashley Judd whom someone has determined is the ideal Flinty Woman in Danger.

Cynthia Fuchs

Film

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'The Secret Life of Walter Mitty' - 51st New York Film Festival

Walter Mitty doesn't sport much comedy. It doesn't plunge into a character's emotional depths. But it has an adventurous spirit. And that may be reason enough to see the movie.

Celulloid Culpability - Top 10 Film Guilty Pleasures of 2008

Like comedy or music, one's choice in cinematic pleasure can be very personal - and very peculiar. Take this tantalizing list of shameful indulgences. You can argue over their artistic value, but their individuals rewards definitely speak to those who champion them.

Step Brothers

They're hostile, irritable, and unemployable; it's hilarious but also unsettling.

Step Brothers

In Step Brothers, Nancy (Mary Steenburgen) is the ideal audience, the girl who can't fathom the anti-nuances of masculine ritual.

These 'Brothers' Offer Offensive Delights

The Return of the Popcorn Circus: July 2008

And it just doesn't stop. If part two in this three-ring play was packed with well hyped product, July just keeps the receipt treats coming.

Tell Me You Love Me

By using visible sex acts to complicate the distinction between what's fake or genuine, the show underscores its thematic focus, on how people lie to each other and themselves.

The Return (2006)

Joanna's restlessness is pathological and symptomatic. "Sometimes," she says, "I think that if I keep moving forward, nothing bad will happen to me."

High Crimes (2002)

'High Crimes' is a movie starring Ashley Judd whom someone has determined is the ideal Flinty Woman in Danger.

Tipping the Swear Jar: How mewithoutYou Used the F-Bomb to Say More Than the F-Word

Electro's Sotomayor Merge House and Merengue on "Menéate pa' mí" (premiere)

Gab De La Vega Turns and Faces the Familiar, Strange on "YYZ" (premiere)

British Soul/Blues Artist Izo Fitzroy Asks for "Blind Faith" (premiere)

Fell Runner Celebrate the Strange Dreams of an Unlikely Hero with "Jeffrey" (premiere)

The James Hunter Six's "Brother or Other" Asks to Spread the Love in a Time of Division (premiere)

Crowhurst + Gavin Bryars Demonstrate the Powers of Collaboration With "Dead Swans of Dreams" (premiere + interview)

Matt Wilson and His Orchestra Consider Memory, Mortality With "When I Was a Writer" (premiere + interview)

Robert Vincent Considers the Human "Conundrum" (premiere)

Electropop's Σtella Shares the Funky Dance Pop of "The Break" (premiere)