
Caroline Strubbe’s Trilogy of Forgetting
Director Caroline Strubbe’s “Trying to Forget to Remember” trilogy creates enigmatic space in the viewer’s head, or in the space between our heads and the spaces on screen.
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Director Caroline Strubbe’s “Trying to Forget to Remember” trilogy creates enigmatic space in the viewer’s head, or in the space between our heads and the spaces on screen.

From the 1973 coup to its afterlives in national memory, these films trace violence, silence, resistance, and the ways Chile continues to confront Pinochet’s violent legacy.

From its opening title, Esta Isla (This Island) embraces the complexity and contradictions of Fredric Jameson’s formulation of “third-world” society and Puerto Rico’s unique situation.

The world conjured by Antoine Fuqua’s Michael Jackson movie is an emotionally flattened realm of veneration and idolisation that would make even Stalin blush.

From The Banjo Boys beginnings as a “mini-doc” to its fruition as a feature film, Johan and Neil Nayar join musicians Yobu Maligwa and Yosefe Kalekeni on their journey from simple craft to sensational art.

In The Red Hangar, the first day of Chile’s 1973 coup becomes a tightening moral trap, as an Air Force captain watches military routine turn into open repression.

As a whodunit, The Second Twin is a nifty tease whose resolution might surprise you, unless you pull yourself away from the dazzle long enough to analyze the story.

Sound editing is crucial in Chilean horror film A Yard of Jackals; we see nothing (thankfully), yet we can imagine in rich detail everything.

The jokes in Monty Python’s the Life of Brian bristle with ideas about the absurdity of dogma and obedience to power, but the Pythons didn’t care about making audiences angry over religious hypocrisy.

Louis Feuillade’s dreamlike 12-episode silent film series Tih-Minh should be experienced, like laudanum, in discreet doses that will linger in our brains until the next fix.

In his most predictably unpredictable manner, Steven Soderbergh’s The Christophers explores how the most frustrating chapters in our lives can lead to unexpected, meaningful events.

In her creative obedience to Emily Brontë’s intent, Emerald Fennell’s adaptation of Wuthering Heights keeps her characters – and her audience – on a tight leash.