How ‘Aguirre’ and ‘Cannibal Holocaust’ Defy the Wrath of the Green Inferno
Herzog’s Aguirre and Deodato’s Cannibal Holocaust present the Amazon as a space of destruction, survival, and moral reckoning. Both approaches raise ethical questions.
Film
Features, reviews, interviews, and lists about film, covering the latest as well historical topics.
Teuvo Tulio’s Martyrs for Love and Cinema
Finnish director Teuvo Tulio’s films go so far over the top that sometimes you wouldn’t think the actors could breathe up there.
Ichi the Killer’s Scar Couture
Ichi the Killer transcends gangster archetypes, becoming a model of how agony can be elevated to art and self-destruction a powerful form of self-expression.
‘Sun Ra: Do the Impossible’ Achieves the Seemingly Impossible
In its gorgeous embroidery of color, sound, and thoughtful reflection, Sun Ra documentary Do the Impossible achieves the seemingly impossible.
‘Josephine’ Crawls Under Your Skin and Stays
With crime drama Josephine, Beth de Araújo has crafted a film that first and foremost doesn’t need to be reckoned with so much as sat with.
Charli XCX Immortalizes a Moment
By satirizing Brat’s success, The Moment argues that Charli XCX is ambivalent to the accolades she cannot help but chase.
‘Krakatit’ Shows How to Start Worrying and Fear the Bomb
Sci-fi thriller Krakatit still resonates with its message of neurotic hysteria in the face of technology and fascism.
Silent Film Restoration Is an Act of Love
To experience restored silent films – even just salvaged bits of them – is to be dazzled and intrigued by a window into the past and to be lit by a desire to see more.
‘Nirvanna the Band the Show the Movie’ Is Meta All the Way Down
Matt Johnson’s goofy Nirvanna the Band the Show the Movie is so laden with tricks, gags, and irony that it somehow registers as sincere.
My Most Anticipated Films of 2026
As surely as “Dumpuary January” follows the fall awards season, a new year brings a slew of anticipated films. If the industry is in trouble, nobody has told these directors.
Wes Craven’s Artfully Dreadful Voice of Horror
In Wes Craven’s horror films, the victim is linguistically trapped before being physically pursued – conversation itself becomes the killing ground.
‘The Huntress’ Tracks the Desire for Vengeance
The Huntress casts aside simplified ideas about revenge and observes different ways to respond to a culture of misogynistic violence.