Pablo Larraín’s ‘El Conde’ Dilutes the Real Horror of Pinochet
Pablo Larraín’s fascist vampire analogy ‘El Conde’ somehow trivializes the Pinochet monstrosity at its core.
Pablo Larraín’s fascist vampire analogy ‘El Conde’ somehow trivializes the Pinochet monstrosity at its core.
Corporate villainy! Creative tyranny! Dangerous foes and tough allies! MCU: The Reign of Marvel Studios blasts the superhero movie universe with the studio’s massive, messy history.
Billy Wilder’s most savage of American comedies, The Apartment, skewers corporate culture and patriarchal structures while challenging viewers to read its spills and overflows as more than just accidents.
The only thing that salvages Scott Waugh’s unpronounceable Expend4bles from the usual action film clichés is the franchise’s new star, Jason Statham
Somewhere amid the swigging and carousing in restored silent film The Spanish Dancer it’s love at first eyeball for Don Cesar and Maritana
Irish actor Aidan Gillen talks about his lead role, and the freedom given to him to define his character, in Fintan Connolly’s Dublin-set modern noir, Barber.
In All About My Mother, Pedro Almodóvar leverages hyperreality through a camp lens to narrate a story that is as rich in theatricality as it is in the nuanced emotionality of the dream.
A telling scene in Wojciech Has’ How to Be Loved comments on how a woman’s viewpoint must be injected into male-created art without permission.
Director Christian Sparkes and actors Clayne Crawford and Alix West Lefler discuss the mystery The King Tide during its World Premiere at TIFF 2023.
Well into the ’80s, animated filmmakers attempted to create something even stranger than the X-rated cartoon: the PG-13 cartoon.
If we listen closely enough to the knocking on the wall, we can hear the anguished whispers of a stronger story caught in the web of Cobweb’s weaker one.
The heroes and villains in Bud Boetticher’s Ranown Westerns are less mighty opposites than mighty complements.