Arab Strap Still Clearly Give a Fuck on Their Latest LP
Once again, Arab Strap have done a grand job worthy of broad smiles, screens off, and the stereo turned all the way up. Get outside and hear the birds sing.
Once again, Arab Strap have done a grand job worthy of broad smiles, screens off, and the stereo turned all the way up. Get outside and hear the birds sing.
Isaiah Collier & the Chosen Few’s The Almighty sounds like it could revive the spiritual jazz genre that was at its peak in the 1960s and 1970s.
Shake It Up, Baby! breaks down the Beatles’ concerts, business deals, sleepless nights, and bloody fights month by month during the transitional year of 1963.
This is Fay Victor’s best recording to date because it looks at a past great composer and reimagines that tradition as part of jazz music’s daring vanguard.
Brooklyn-based singer-songwriter Jackie West effortlessly transcends genres and generations on her outstanding debut album, Close to the Mystery.
As Kelsey Waldon sings on Ola Belle Reed’s triumphant “I’ve Endured”, the Kentucky country artist knows these songs have lasted for a reason.
MESTIZX is unquestionably cosmic, but it’s also grounded in the real lives and spaces of artists who refuse to be broken into cultural shards.
With the help of Kevin Parker and Danny L. Harle, Dua Lipa’s new album Radical Optimism sounds like Tame Impala meets PC Music and goes to headline Glastonbury.
Cyril Cyril’s Le Futur Ça Marche Pas is for agitators, a genre-be-damned assemblage of poetry and vivid effects in the form of well-produced electronic rock.
In April’s best metal, Locrian fully establish their return, Benighted adorn their anguish in their darkened past, and Inter Arma lead in extreme metal.
Jazz saxophonist Kamasi Washington’s latest album, Fearless Movement, inspires motion and emotion by combining contemporary jazz with pop, soul, and rap.
There are few things more thrilling in music than hearing a band reach another level of mastery of their craft, and Snarls sound positively inspired on With Love.