
Alison Krauss’ ‘Arcadia’ Is Dazzling and Worth the Long Wait
Alison Krauss and Union Station show a meeting of minds, wildly creative professionals reunited to log yet another sterling work in their estimable discography.
Alison Krauss and Union Station show a meeting of minds, wildly creative professionals reunited to log yet another sterling work in their estimable discography.
Hüma Utku has created something remarkable in Dracones. It’s innovative due to the unpredictability of its sounds and the honesty of a deeply felt period.
Acclaimed guitarist Dustin Wong uses loops, samples, and guitar improvisation in a mesmerizing tribute to his recently deceased grandmother.
Bluesman Mississippi John Hurt’s innovative guitar playing and down-to-earth vocal delivery are elevated in these updated recordings.
The Pogues always painted portraits of shaggy underdogs who were broke but not broken, embattled but still very much in the battle to survive, sympathetic if surly.
Tate McRae’s well-crafted third album, So Close to What, cements her as a pop mainstay, but leaves the future unclear.
What surprises are heard on the Darkness’ new record are few and far between, but hardcore fans will enjoy the grandeur and sense of ceremony that cements it.
Wolfgang Flür is at least trying to move the Kraftwerk ethos forward. That fact alone gives an album like Times some artistic value.
Deafheaven are going to make Lonely People With Power. They’re going to melt your face off. However, you have to wait for it. It’s magic.
Legendary music ensemble Kronos Quartet team up with an acclaimed documentarian and composer to chronicle the horrors of violent conflict.
Unheard for half a century, John Lee Hooker’s Standard School Broadcast Recordings offer a fresh addition to the legacy of one of the all-time great blues performers.
Patterson Hood’s new LP is a rich musical departure from the raucous rockers he crafts for his day job. It showcases his gifts as a storyteller with a director’s eye.