‘Slow Horses: Season Four’ Subverts the Spy Genre
The good, the bad, and the ugly dance to Slow Horses‘ strange game, which reminds viewers that solidarity is essential to fighting oppression.
The good, the bad, and the ugly dance to Slow Horses‘ strange game, which reminds viewers that solidarity is essential to fighting oppression.
These eight TV episodes illustrate what happened when the 1950s met the 1960s via LSD TV, leading to moments of confusion and irony, often with comical results.
As polarization impacts the cultural landscape, rom-coms like Ted Lasso show how we can work through our differences and disagreements to everyone’s satisfaction.
For this Halloween, we invite you to join us in revisiting ten classic, creepy Are You Afraid of the Dark? episodes. First, turn off the lights.
Individualism was not the dominant force on the American frontier, as most Westerns would have you believe. Deadwood explores the era’s cooperation and moral optimism.
In adapting the alternative history The Underground Railroad, Barry Jenkins and his crew made cinema – a medium with origins in white supremacy – work for them.
Erik Kripke’s gory superhero satire The Boys takes a visceral plunge into political and personal tragedy, showing there’s more to fear than just corrupt superheroes.
For compelling and worrisome reasons, crime sells in our TV entertainment. The Responder, Shardlake, and Eric feed our brutal compulsion in varying ways.
World of Giants is catnip and dog-nip and gopher-nip for connoisseurs of classic sci-fi TV ’50s style, aka, the art of really short half-hour storytelling.
The Traitors head-band wearing Parvati Shallow and Barbie‘s head-shaking Ryan Gosling tenderly scream “camp” and enthralled, we lovingly scream back.
In 13 episodes, lost TV wonder 21 Beacon Street is an uncanny and legally actionable precursor to the Mission Impossible franchise.
The mini-series adaptation of Viet Thanh Nguyen’s kaleidoscopic tale The Sympathizer is a knockout account of colonialism, war, and (the loss of) identity.