Why do men in the LGBTQ+ community often take comfort in the feminine pop music made by strong, angry women? We’ve also had to fight for our femininity.
Horror-mystery TV series Kolchak: The Night Stalker has a sour take on society that hasn’t dated since the ’70s; hence, its eternal afterlife.
Addressing pandemic-induced topics such as loss, grief, and mental illness, Marvel’s ‘WandaVision’ serves as a metaphor for life in the time of COVID.
If food has always been political, as Bon Appétit asserts—so, too, has performance style. It is overdue for food media creators to wake up and smell the coffee.
The entertainment industry had to change when COVID-19 closed almost all its operations. Media scholar Kate Fortmueller considers the lasting effect.
James Gandolfini’s crime boss Tony Soprano endeared himself to millions of ostensibly law-abiding Americans. Can Michael Gandolfini fill his blood-stained shoes?
Entertaining and informative, High on the Hog disrupts the Eurocentrism entrenched in the culinary world that tends to devalue so-called ethnic foods.
Nida Manzoor’s punk rock comedy We Are Lady Parts beautifully captures that the performance and expression of Muslim identity are complex and multifaceted.