
Chicago’s Body Shop Will Make You Sweat and Think
Body Shop’s sound blends danger and wit and a reputation for confrontational live shows. The music drips with danger and sex, but isn’t just empty provocation.
Interviews with popular culture creators in areas that include music, film, TV, books, games, comics, and more.

Body Shop’s sound blends danger and wit and a reputation for confrontational live shows. The music drips with danger and sex, but isn’t just empty provocation.

And Also the Trees reflect upon the cache of artistic and natural world influences that give their preternatural rock deep shades of Euro-Blues and Moorland Goth-Pop.

Canada’s electroclash provocateur Peaches is back with another daring polemic, No Lube So Rude, and reflects on her journey to it.

UltraBomb’s Greg Norton is unapologetic about his new LP, The Bridges that We Burn: “If you don’t like my politics, you can listen to Kid Rock.”

Charley discusses her therapeutic poptimism that extends beyond rote structures and clichés to strike a deeper chord with listeners.

From The Banjo Boys beginnings as a “mini-doc” to its fruition as a feature film, Johan and Neil Nayar join musicians Yobu Maligwa and Yosefe Kalekeni on their journey from simple craft to sensational art.

The tools haven’t changed much. The influences are still there. The approach is the same. Dale Watson is still building, as he puts it, with that old hammer.

PopMatters chats with jazz’s Dave Douglas about his new album, new band, recent record Four Freedoms with a different group, and the road ahead.

Somewhere between tape hiss and memory, between backyard shows and crowded rooms, Shakey Graves is still digging.

“Making records isn’t for the faint of heart,” notes songwriter Salim Nourallah, who is in the middle of a year when five full-length albums are planned.

A Place to Bury Strangers resurrect lost obscurities for a record that paints a map of their past and future simultaneously. Oliver Ackerman describes the process.

Pre-Musk Twitter drew writer/visual artist William Lessard back to poetry. He adapts to current AI tech with his latest “vibe coding” project, /face.