Natalia Leite's 2015 film Bare picks up where Barbara Loden's 1970 film Wanda left off, each acting, indirectly, as the proto- and fourth wave- feminist renderings of the other.
Adventurous multi-instrumentalist Colin Stetson scores the new horror film from director Richard Stanley, Color Out of Space, and it's a noisy, deeply enjoyable headphone trip.
Historian Stephen Tow's London, Reign Over Me is an insightful, thorough, and welcoming exploration of '60s-era British rock.
Post-punk pioneers Wire continue their late period renaissance with a new synthesis of all of their most endearing qualities on Mind Hive.
Four decades in the music business is no small feat, and yet the Pet Shop Boys enter the new decade sounding just as current and catchy as the pop landscape they helped construct.
Rikke Villadsen's graphic fiction, Cowboy, is an aggressively peculiar take on an already aggressively peculiar genre.
From their early garage band days in East LA to national acclaim and ongoing status as a perennial Fillmore favorite, Los Lobos have truly become a cultural institution.
The late David Bowie sideman, Mick Ronson may not have relished the solo spotlight but he still left behind a trove of rock goodies.
Natalia Leite's 2015 film Bare picks up where Barbara Loden's 1970 film Wanda left off, each acting, indirectly, as the proto- and fourth wave- feminist renderings of the other.
Indie folk trio Honey Magpie's latest single, "Undecided", examines the art of patience and taking one's time to make fully-formed decisions in a world that can often feel breakneck.
TV star/writer/podcast host -- just don't call him a standup comic -- John Hodgman tackles class aspiration and other inconveniences in his memoir, Medallion Status.
Composer and jazz collaborator Patrick Zimmerli has written a set of themes for string quartet and jazz saxophone trio—and some of the time it all takes off flying.
The Sweeplings might make the most gorgeous music by a folk-pop duo since the unfortunate demise of the Civil Wars following their official split in 2014. The pair discuss their music and new video for "In Between".
Kanye West's Sunday Service Choir create a debut, Jesus Is Born, that's powerful and, at times, repetitive.
Seamus Egan, founder of traditional Irish folk band Solas, goes solo with Early Bright. The masterclass here is one not necessarily to impress the intellect as much to leave an impression on the heart and soul.
Social anthropologist Erika Fatland eschews many of the clichés of Post-Soviet travel writing, providing an incident-packed trip to a vast, often-overlooked region in Sovietistan.
Berlin-based techno producer, Phase Fatale discusses how music can operate as a means of control and how technology has entered the most intimate of human affairs.
The latest album from accomplished composer and session drummer, Frank Lenz, is equal parts experimental, amusing, and oddly funky.
Folk-pop artist Rose Cousins communicates the importance of generosity and kindness in her new single, "The Return (Love Comes Back)".
Austin psychedelic rock band, the Cuckoos release their debut LP I Hate Love on 24 January following a series of well-regarded 2019 singles. Hear it in full now.
Women writing about famous women does not a feminist or otherwise interesting collection make.
Gloria Bell painfully conveys that this economic system thrives on our isolation.
Anna Wiener's Silicon Valley memoir, Uncanny Valley, reveals a piratical industry choking on its own hubris and blind to the cost of its destruction.
One of Britain's most underrated singer-songwriters is going from strength to strength in his 70s. As ever, Bill Fay focuses on the search for meaning and substance in everyday life.
New voices bring fresh new perspectives to all-woman powerhouse supergroup L'Amazones d'Afrique on their bold sophomore release Amazones Power.
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