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Music Features Culture Featured: Top of Home Page Features Music

Why Tokyo Has So Many Record Stores

By
Michael Schoolnik
/ 20 May 2026

In a country where curation itself has long carried economic value, the identities of Tokyo’s record stores are inseparable from the owners’ personal obsessions.

Why Tokyo Has So Many Record Stores
Music Features/Culture/Featured: Top of Home Page/Features/Music

Why Tokyo Has So Many Record Stores

By
Michael Schoolnik
/ 20 May 2026

In a country where curation itself has long carried economic value, the identities of Tokyo’s record stores are inseparable from the owners’ personal obsessions.

Laurie Anderson Helps Us Face Catastrophe on Live LP
Music/Music Reviews/PopMatters Picks/Reviews

Laurie Anderson Helps Us Face Catastrophe on Live LP

By
Adriane Pontecorvo
/ 20 May 2026

Laurie Anderson has created a rare live album worth listening to from start to finish, both for the music and all the interstices.

‘House of Cards’ Is a Faux-Hitchcock Thriller
Film/Film Review/Reviews

‘House of Cards’ Is a Faux-Hitchcock Thriller

By
Michael Barrett
/ 20 May 2026

House of Cards looks like a million francs in Techniscope and Technicolor and plays like a picture Hitchcock forgot to make.

Social Distortion Return with Their Teeth Bared
Music/Music Reviews/PopMatters Picks/Reviews

Social Distortion Return with Their Teeth Bared

By
Sam Weller
/ 20 May 2026

Born to Kill is new yet vintage Social Distortion, a greatest-hits package of new material that is authentic, fresh, and retrospective all at once.

Chris Potter Tells the Story of Abolitionist John Brown
Music/Music Reviews/Reviews

Chris Potter Tells the Story of Abolitionist John Brown

By
Will Layman
/ 20 May 2026

Chris Potter always plays jazz with a combination of respect for its traditions and an urge to push the sound forward. It is an audible balance on this new recording.

Weird Nightmare’s Power Pop Is Hard-Rocking and Catchy
Music/Music Reviews/Reviews

Weird Nightmare’s Power Pop Is Hard-Rocking and Catchy

By
Chris Conaton
/ 20 May 2026

Weird Nightmare’s take on classic power pop is hard-rocking and catchy, but the songwriting is rarely distinct enough to rise above the level of pastiche.

SUSS Unleash More Quietly Atmospheric Beauty
Music/Music Reviews/Reviews

SUSS Unleash More Quietly Atmospheric Beauty

By
Chris Ingalls
/ 20 May 2026

Often imitated but rarely duplicated, SUSS’ “ambient country” sound is unmistakable, and with their latest album, they haven’t slowed down a bit.

Beef’s Cooked-in Class Anxiety Turns Up the Heat
Television/Reviews

Beef’s Cooked-in Class Anxiety Turns Up the Heat

By
Tidenek Haileselassie
/ 20 May 2026

If Beef Season 1 gave you a tension headache that you refused to placate by turning off the television, Season 2 is even more addictively high-stakes, tightly wound, and explicit in its view.

Teo Hernández’s Queer Avant-Garde Films Rewire Your Brain
Film Feature/Feature Sub Head/Featured: Top of Home Page/Features/Film

Teo Hernández’s Queer Avant-Garde Films Rewire Your Brain

By
Michael Barrett
/ 19 May 2026

Watching Teo Hernández’s queer avant-garde films, the source for his ideas about cinema as sex and ritual, all culminating in ecstatic visions, becomes self-evident.

Did Drake and Kendrick Lamar Kill Battle Rap?
Features/Feature Sub Head/Music/Music Features

Did Drake and Kendrick Lamar Kill Battle Rap?

By
Alecia Hodges
/ 19 May 2026

The biggest rap battle in history between Drake and Kendrick Lamar blurred the line between victory and cultural collapse. Has hip-hop killed itself?

Braxton Keith Finds the ‘Real Deal’ in Classic Country
Music/Music Reviews/PopMatters Picks/Reviews

Braxton Keith Finds the ‘Real Deal’ in Classic Country

By
Steve Horowitz
/ 19 May 2026

Braxton Keith’s charm lies in part in his ability to keep things light. Let’s sing about love, cheating, drinking, and forget about our heavy concerns.

Wendy Eisenberg Strikes the Perfect Songwriting Balance
Music/Music Reviews/PopMatters Picks/Reviews

Wendy Eisenberg Strikes the Perfect Songwriting Balance

By
Adriane Pontecorvo
/ 19 May 2026

Wendy Eisenberg knows not only the art but the craft of songwriting, they bring their truest self, never compromising, never pushing, always being. Absolutely stunning.

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RECENT

  • Why Tokyo Has So Many Record Stores
  • Laurie Anderson Helps Us Face Catastrophe on Live LP
  • ‘House of Cards’ Is a Faux-Hitchcock Thriller
  • Social Distortion Return with Their Teeth Bared
  • Chris Potter Tells the Story of Abolitionist John Brown
  • Weird Nightmare’s Power Pop Is Hard-Rocking and Catchy
  • SUSS Unleash More Quietly Atmospheric Beauty

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