Big Hero 6 draws its themes and central relationship from the classic Disney and Pixar templates but includes all of the trappings of a Marvel superhero origin film.
Absent from Instagram and Twitter and mostly uncommunicative to the press, listeners must wait patiently for the reclusive Hope Sandoval's return without any hints as to what she may bring.
Big Hero 6 draws its themes and central relationship from the classic Disney and Pixar templates but includes all of the trappings of a Marvel superhero origin film.
Beth Bombara's new album, Evergreen, is in part about reclaiming personal dignity but, occasionally, the personal and the private intersect. Hear her new single "Criminal Tongue".
On any given day, you may see Kate Tempest working as a poet. Or maybe a playwright. Or a spoken-word artist with hip-hop connections. As she celebrates the release of her third album, she reflects on where her place is in Britain's powerful cultural moment.
Hammond organist Adam Scone and his Scone Cash Players tie various threads of organ soul/jazz together to create an album-length party, As the Screw Turns.
The beloved character Salvo Montalbano, like its author, the late Sicilian novelist Andrea Camilleri ("il padre di Montalbano"), can be brusque and ornery, but he has a strong ethical code and passionate commitment to justice.
On Weather, chillwave's Tycho proves he can incorporate all of his signature elements into a traditional pop song structure without having to compromise the core.
Imperial Teen's Now We Are Timeless shows what a veteran band can do when they are locked in together. Highly recommended for fans of the kind of pop-rock that doesn't make the mainstream charts anymore.
Unconventional rock albums, from poppy sludge outfit Torche, noise rock masters Uzeda and post-hardcore outcasts Cherubs, along with the black metal fury of Falls of Rauros, False, Arkhaik, Celestial Grave and Sanguine Eagle and uncategorized extremists Immortal Bird are among this month's extreme output.
Director William McGregor reflects on how his fantastical period film, Gwen, began as a reaction to mainstream television, and how the capitalist antagonist will allow the film to continue to resonate with audiences in the future.
Some might think that the influence of politics and economics in a censored art world might harm Chinese artist Cao Fei's efforts to provide real critique.
Mystic Valley Band man Taylor Hollingsworth steps out for the first album under his own name since 2011. "Tap Dancin' Daddy" tells of the struggles of parenthood and the struggles of staying true to one's self.
Written after her mother was diagnosed with Alzheimer's, folk-pop songstress Natalie Gelman's "The Lights Upstairs" shines a message of love in the face of a terrible disease.
With Delphi, Canadian electronic artist Antwood releases an ambitious collection of brash electronic music and a whole slew of genre pastiches yet to be invented.
The key to understanding Burt Lancaster's contribution to film lies in the physicality of his portrayals. Film Forum, New York, showcases many of his films starting today.
Why don't we have more immigrant stories in film? Lulu Wang talks with PopMatters about fighting to tell her story, her way, and how that came to fruition in her latest film, The Farewell.
