Neil Young at World’s End: ‘On the Beach’ at 50
Neil Young’s On the Beach lodges not in the heart or brain but in the spleen. Perfect for depressed, alienated teenagers in the soft-rock days before punk.
Neil Young’s On the Beach lodges not in the heart or brain but in the spleen. Perfect for depressed, alienated teenagers in the soft-rock days before punk.
Jump back a decade to revisit the best indie rock of 2014, where newer acts did more than just fill the vacuum left by the usual suspects.
On their first missive, We Are Winter’s Blue and Radiant Children create beauty amid the contemporary horror of a vicarious, voyeuristic existence.
Moon Mirror finds long-running power poppers Nada Surf relaxed and having fun with the same strong, catchy songs they’ve written for nearly 30 years.
Japanese multi-instrumentalist and composer Masayoshi Fujita weaves mallet percussion and synths together for an arresting experience on Migratory.
Travel back ten years ago to 2014 and discover the best new musical artists that lit up the year, and hear their latest music to see how they’ve evolved.
The 20th edition of France’s famed Rock en Seine sees ever-growing crowds, impressive performances, and an atmosphere to rival the highest of highs.
Sunset Rubdown return without electric guitars and create some beauty that can be added to Spencer Krug’s substantial catalog as an auteur.
Nala Sinephro’s Endlessness is music that is good for the ear, the mind, the heart, and the very future of the philosophical orientations of jazz.
Trailblazing avant-garde artist Laurie Anderson tells the story of Amelia Earhart in a wonderful, engaging musical documentary.
Mastodon’s Leviathan is a concept LP inspired by American novelist Herman Melville’s Moby Dick. Think of it as sludge metal’s answer to Dark Side of the Moon.
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.