
William Lessard on Vibe Coding Poetry in Our Era of AI
Pre-Musk Twitter drew writer/visual artist William Lessard back to poetry. He adapts to current AI tech with his latest “vibe coding” project, /face.

Pre-Musk Twitter drew writer/visual artist William Lessard back to poetry. He adapts to current AI tech with his latest “vibe coding” project, /face.

The story of how the radically different historical figures the Beatles, Richard Nixon, and Disney World intertwine is one of fascinating coincidence.

The “Paul McCartney Is Dead” hoax is so familiar to the public that it is taught in psychology courses to illustrate confirmation bias. Why won’t it just die, already?

Bad Bunny’s Super Bowl LX half-time show is much more than a choreographic display; it’s a manifesto of political autonomy and joyful visual sovereignty.

Assuming personal stability is necessary for collective betterment, it’s high time that Gorillaz share their newest, loving, bizarre journey with the rest of the world.

Recognizing ourselves within liminal spaces suggests that the self is liminal, fluid, and shifting; contradictory, and resistant to classification.

One of the strangest things about being a Millennial in heavy music is realizing that you are basically Gen X’s baby goth.

In the minds of MAGA humorists, they, not their risk-averse and PC-hobbled liberal counterparts, are continuing the tradition of bold, truth-telling comedy.

Criticism done well is not antithetical to compassion; the two are closely interlinked as an act of kindness that prevents delusion and leading others astray.

Joker provides a keen understanding of the deleterious effects of American neoliberalism, which the authors dismantle in Send in the Clowns with a mordant deadpan wit.

In our age of endless comparison, curated self-images and performativity, we willingly submit to the branding of our fickle identities.

Everything, it seems, is becoming a video podcast these days, but perhaps not everything was meant to be seen.