In Gramscian fashion, Frétigné details the material conditions of Antonio Gramsci’s insight and influence while shirking historical determinism and abstract idealism.
Katt Shea’s subversive 1992 erotic thriller Poison Ivy, like its teenage villainess, is misunderstood, and American media remains obsessed with devious girls.
When Americans realized the atom bomb their country created could be turned on them, arts and society alike bunkered down into nightmares of nuclear destruction.
How did Calvin Klein’s gender-neutral CK One, with its scent like “a vodka tonic with lemon twist”, help inspire gender revolution?Perfume follows the fragrant path into queer culture.
Set in America’s “flyover country”, HBO comedy/drama Somebody Somewhere, starring Bridget Everett, defies small-town America stereotyping.
Amy Silverberg’s comedy is at once wry, playful, and at times beautifully filthy, like the trash-riddled Santa Monica Pier during a pink-tangerine sunset.
Imagine Aristotle sitting in a movie theater in 1979 with his tub of popcorn. If you think he would scoff at Alien‘s outlandish monster, think again.
Márta Mészáros’ film Adoption is empathetic and beady-eyed about the negotiations and indignities of those caught up in social prejudices, especially women.
Punk’s “question everything” attitude has always been suited to education, despite the forces that seek to contain its rabble-rousing trouble-making from the classroom.
Kate Wisel, the author of Driving in Cars with Homeless Men, shares her thoughts on writing linked story collections, drawing inspiration from real life, and adapting her work for television.