To this day, the history of people of color in England is often erased from dominant cultural narratives. Fictions, however, can collectively shift cultural narratives; we need stories to counter stories.
When the president of Lucasfilm Kathleen Kennedy announced there will be more than 10 Star Wars shows and films coming out, she declared that popular culture is a space of diversity. All stories can and should be told simultaneously and adjacently.
Fran Lebowitz's ubiquitous little smirk is still going as strong as it ever did because—and this is why she is sexier now than she was 50 years ago—there is really just no way whatsoever to make her feel bad about herself.
The characters in Ma Rainey's Black Bottom, distinct as they are, besiege the viewer's mind as metaphors, mythic exemplars of a disturbing legacy America seems unable or unwilling to address.
In contrast to the pervasive attitude of cynicism that declares the world fixed and existing power structures unbeatable, Small Axe narrates how Black Power has been and remains a viable force that shapes British and world history.
It's time Christmas rom-coms move beyond the twin swaps, the dead spouse who comes back as an angel, the bad blind date, etc., and instead, turn to real-life stories for healthy models of lasting love forged in the fires of the holiday.
As the COVID-19 pandemic upends our families, communities, and way of life, children, especially, struggle with loss. Rachel Shukert's Netflix series, The Baby-Sitters Club can help.
Fandom, powered by nostalgia, is gigantic, uncloseted and, unfortunately, argumentative. It's so powerful it has driven creators away from their creations. How do we control that rabid drive to "own" someone else's works?
Academy Award-nominated documentary The Edge of Democracy, now streaming on Netflix, lays bare the political parallels of the rise of Bolsonaro's Brazil with Trump's America.