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Camera: Radiate

Camera's Radiate formed out of improvisations in unplanned public appearances. That kind of thrill-seeking energy is more than apparent on their debut record.

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Conveyor: Conveyor

Taking hints from Dirty Projectors, Animal Collective, and Grizzly Bear, Conveyor has streamlined an art-pop sound into something incredibly accessible.

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Whitman: Weekends

Whitman's Weekends may be one of the most honest and representative records of twenty-something angst that's been recorded in quite some time.

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Liminal Phase: LP

"There's a lot of similarities between what we're doing now and what Miles Davis was doing in '69" says a member of Liminal Phase. It's hard to argue.

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Pumice: Puny

Noise music is supposed to be challenging. That's something that Pumice understands and has taken to heart as Puny makes clear. Fortunately, like the best noise releases, there are breaks from the madness where everything makes sense, at least for a little while.

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Young Man: Vol. 1

Young Man's second release in a three-part series about the fleeting nature of youth and transition into adulthood is nothing short of spectacular.

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Tomat: 01-06 June

Tomat's debut 01-06 June is an occasionally terrifying, often exhilarating, record that finds the delicate balance between structure and chaos.

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Portland Cello Project: Homage

Homage, the Portland Cello Project's latest masterful collection of artfully arranged takes on pop pieces, works perfectly as both background music and as an album that rewards attention.

Steven Spoerl
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