‘Deadpool & Wolverine’ and the Death of Hollywood Franchises
Hollywood franchise films may not have started as theme parks, but the drive to eliminate risk will quickly turn them into the very thing their detractors fear.
Hollywood franchise films may not have started as theme parks, but the drive to eliminate risk will quickly turn them into the very thing their detractors fear.
Louder Than You Think documents the early origins of indie rock’s Pavement through the cracked life and times of the band’s first drummer, Gary Young.
Fight Club conveyed Gen X men’s frustration, leading to paramilitary militia groups and Promise Keepers. It lends itself to reinterpretation to this day.
Although it aims to portray humanity’s future, sci-fi film Interstellar‘s message – that our greatest asset and liability is ourselves – resonates in our times.
Sessue Hayakawa was the first Asian male star in Hollywood, became a “foreign” silent film sex symbol, and ran his own company while the “natives” remained uptight.
The Creature and A Dog Called Vengeance use German shepherds in allegories of fascist politics, revolution, violence and love.
Comic film actress Teri Garr flourished in the 1970s and 1980s, bringing an innate likability and charm to her roles and giving the characters dignity.
From 1930 to 1980, these five horror movies offer masked maniacs, mad scientists, murder mysteries, mummies, and military cannibals for your Halloween freak-out.
Criticized for its grotesque imagery, Tim Burton’s 1992 film Batman Returns is a commentary on the horror of social and political ills that still haunt us today.
Maggie Smith had the most expressive face. She could say and do more with a roll of an eye or purse of her lips than most of her peers with pages of dialogue.
Red Mountain and Botany Bay showcase masculine movie icon Alan Ladd in his glory, playing wounded heroes on the wrong side of the law.
What a difference a script makes. Johnny Cash and Cay Forrester goose up the histrionics of Door-to-Door Maniac.