Tomas Hachard

Tomas Hachard is currently completing a Journalism MA in Cultural Reporting and Criticism at New York University. Though he writes mainly on film, he is also greatly interested in, and often writes about music, TV, and dance. He has written numerous pieces for The Toronto Standard and been published on The Millions and Steel Bananas. He, of course, also blogs. Follow him on Twitter

Wonderful Performances Carry ‘A Summer in Genoa’

‘Kings of Pastry’ Is Certainly Drool-worthy, but It Leaves You Wanting More

‘Enter the Void’: A Rumination on Death

‘Lebanon’ Succeeds Through Its Restrictions

‘Trouble in Mind’: Noir Turned Inside Out