Lollise Makes a Splash With Brilliant Debut ‘I Hit the Water’
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.
Lollise’s I Hit the Water is brilliant, swirling, and compelling with its blend of Afrobeat, soul, and electronics. It’s a debut deserving all your attention.
Bamako is the truest kind of jazz, all about movement and communication, and Nicole Mitchell and Ballaké Sissoko make for an expert team at the helm.
Ekuka Morris Sirikiti’s work reminds us that he and his traditions are very much still here, not artifacts of old media but flesh and blood, spirit and sound.
Following Robed in Rareness from last fall, Shabazz Palaces continues a provisional series with the cryptic and digressive Exotic Birds of Prey.
On Robed in Rareness, Ishmael Butler aka Shabazz Palaces takes yet another step in his forward-thinking, far-sighted project of Afrofuturistic hip-hop.
Jake Blount reworks traditional spirituals for a future setting on The New Faith and wonders what black music will sound like after climate change.
If a manifesto isn’t angry, it must rely on humor. The Nap Minister Tricia Hersey’s manifesto, Rest Is Resistance, struggles to compel one to inaction.
The Futuristic Sounds of Sun Ra hearkens back to Sun Ra’s big band roots and his determination to create a genuine exploration of otherworldly space.
Ibibio Sound Machine hit new heights as they draw on the power of musical currents flowing between Lagos and London on the Hot Chip-produced Electricity.
Indonesian experimental duo Raja Kirik force a scuffle between seemingly disparate entities, at once alarming, joyous, and defiant on Rampoken.
Black Encyclopedia of the Air from Philly-based poet and musician Moor Mother fuses activist hip-hop with a warm, jazzy groove and an experimental spirit.
In this excerpt of Mark R. Villegas’ Manifest Technique, we vibe with ISP’s avant-garde turntablism spinning Filipino alienation.