
Jacob Ungerleider Steps Out of the Shadows with Stunning Album
For someone who spent so long playing on other people’s records, Jacob Ungerleider is supremely confident and utterly charming, yet refreshingly relatable.

For someone who spent so long playing on other people’s records, Jacob Ungerleider is supremely confident and utterly charming, yet refreshingly relatable.

Alexander Noice creates layers of sound and interlocking melodies, blending jazz, improvisation, and tightly wound compositional lines, with modern technology.

What’s so striking about Ruth Garbus and her latest record is how musically adventurous, wondrous and revelatory it is in its maturity and self-acceptance.

There is a beautifully down-to-earth aspect to Horse Lords’ new LP and they are confident in their signature sound while still finding ways to keep it fresh and unique.

On Novella, composer Tyler Sabbag conjures a wonderful, sun-kissed orchestral jazz vibe that’s just in time for summer.

Under the Mukqs moniker, Max Allison keeps topping himself. Juckport is another wild sonic ride from the forward-thinking Hausu Mountain label.

Vocalist and composer Sharada Shashidhar experiments with style and instrumentation, resulting in an exciting hybrid of spiritual jazz and alternative R&B.

Composer and pianist Aaron Wyanski transforms the notoriously difficult Pierrot Lunaire by Arnold Schoenberg into lounge jazz.

Mark Trecka has the uncanny ability to make music that is grating, unhinged, and noisy, yet compulsively listenable.

Prolific jazz saxophonist Adam Schatz, known for his work as an in-demand sideman, takes a bold step forward with Civil Engineering, Vol. 1.

Kraftwerk’s entire discography deserves attention, but Radio-Activity, now sounding better than ever, is arguably their creative watershed moment.

Partisan Ship, is a jarring yet highly welcome shift that showcases Phillip Golub’s far-reaching keyboard approach and his ensemble arrangements.