
Mary Ocher’s ‘Weimar’ Has a Stunning, Dramatic Atmosphere
Armed with just a piano and her voice, Berlin-based Mary Ocher is a striking presence on her new record, Weimar.

Armed with just a piano and her voice, Berlin-based Mary Ocher is a striking presence on her new record, Weimar.

Nicole Saphos’ music grapples with heavy emotions and the buzz of nostalgia, yet never seems derivative. Her songs are fresh, unique, and able to walk through fire.

Pat Kelly creates songs inhabiting a distinctly low-key vibe, and the eloquent lyrical passages and his knack for “hooks” make for an irresistible combination.

Nate Mendelsohn’s style as Market is eclectic and often beautifully bizarre, but always seems anchored, sometimes tenuously, to sophisticated pop structures.

I Want to Be Ready sees the Early transporting and transcending, exploring the textures their unique instrumentation provides.

Connor Armbruster is not only a brilliant musician but a refreshingly restless one Half My House is a unique and tuneful spin on traditional Irish music

Shane Parish thrives on conceiving projects that seem contradictory and overly challenging, yet come off as effortless and innovative.

Jackie West grows from her immensely satisfying debut album into a follow-up that sees her taking chances while writing beautiful, emotionally striking music.

Jazz trio the Setting have brought to fruition Eivind Opsvik’s love of 1970s and 1980s synthesizer music, ECM solo guitar albums, and experimental art pop.

Kerrin Connolly has stepped up her game, with smart, sophisticated arrangements and an arsenal of pop songs that are a quantum leap from earlier music.

Ecstatic Visions is an ambitious interpretation of new and recent compositions from the unique duo of Stephanie Lamprea and Alistair MacDonald.

Elori Saxl and Henry Solomon’s Seeing Is Forgetting exquisitely blends ambient and jazz while working in the occasional pop melody.