Pulse Emitter’s ‘Dusk’ Sports Lush Synthesizer Experiments
Pulse Emitter’s Dusk possesses a keen sense of melody, as arpeggios and melodic lines cross over each other, creating a lushness that washes over the listener.
Chris Ingalls
Chris is a Massachusetts native who spent seven years as a broadcast journalist in the U.S. Navy, serving in overseas locations such as Keflavik, Iceland and the Indian Ocean island of Diego Garcia. He was also a videotape editor for a CBS affiliate TV station, a newspaper editor at a military public affairs office in Naples, Italy, and spent 14 years as a videographer for a Boston-area cancer research institute. He was born in 1969 and has been a rabid music fan since at least 1970, thanks to his three older siblings. A PopMatters writer since 2016 and a contributing editor since 2019, Chris also contributes to the experimental music website Tome to the Weather Machine and is on Twitter @Ingalls1969. He lives in the leafy suburbs outside of Boston with his wife, son, hyperactive dog and ornery cat.
Ian Wayne Combines Gorgeous Melodies with Experimental Touches on ‘I Can’t Sleep’
The third solo album, I Can’t Sleep, from Ian Wayne is a low-key masterpiece that embraces classic pop with plenty of odd, disarming musical gestures.
SloGlo’s ‘Symbols and Mirrors’ Walks a Line Between Jazz and Electronic
Under the moniker of SloGlo, drummer/producer Matt Carroll’s debut album Symbols and Mirrors is a mishmash of curious, experimental textures.
Patrick Shiroishi Explores Family History with the Arresting Calm of ‘Evergreen’
Japanese-American experimental multi-instrumentalist Patrick Shiroishi once again pays tribute to his heritage in this deeply moving new album, Evergreen.
‘Bolts’ Is Hagop Tchaparian’s Mysterious Dive into Found Sound and Tradition
Producer Hagop Tchaparian conjures up a unique, bracing meld of electronic and traditional Western Asian instrumentation on his debut album, Bolts.
Trevor Dunn Defies Musical Categorization with the Spellbinding ‘Seances’
With the help of his longstanding trio and a chamber quartet, bassist/composer Trevor Dunn unleashes the messy, complex, and utterly mesmerizing Sèances.
‘Midnight Crisp’ Is Takuya Kuroda’s Expertly Blended Mix of Jazz and Funk
Midnight Crisp shows that Takuya Kuroda is a master of knowing what parts to work with and how to assemble them properly. It’s a future classic.
Phillip Golub Gives Processed-Based Composition an Uncommon Warmth on ‘Filters’
Approached as neo-classical minimalist jazz, Filters is a triumphant solo debut from Phillip Golub and another fascinating album from greyfade.
Talkdemonic Unleashes Soft Explosions of Sound on the Shimmering ‘Various Seasides’
Kevin O’Connor’s first album under the Talkdemonic moniker since 2011, Various Seasides, is imbued with all the warmth of a fuzzy sonic blanket.
Jordan Reyes Faces His Fears with the Phenomenal ‘Everything Is Always’
Chicago experimentalist Jordan Reyes confronts mortality, anxiety, depression, and a pandemic with a cathartic new album, Everything Is Always.
Edith Judith Perform a Beguiling Style of Indie-Folk on ‘Bones & Structure’
Chicago experimentalists Edith Judith combine unique arrangements and beautifully crafted songs on their debut album, Bones & Structure.
Greg Davis Dives Into Compositional Properties of Prime Numbers with ‘New Primes’
On New Primes, Vermont experimentalist Greg Davis explores process-based composition, with a little help from a record label that revels in the concept.
