
The Early Mine a Gritty, Post-Rock Ambient Vibe
I Want to Be Ready sees the Early transporting and transcending, exploring the textures their unique instrumentation provides.

I Want to Be Ready sees the Early transporting and transcending, exploring the textures their unique instrumentation provides.

Connor Armbruster is not only a brilliant musician but a refreshingly restless one Half My House is a unique and tuneful spin on traditional Irish music

Shane Parish thrives on conceiving projects that seem contradictory and overly challenging, yet come off as effortless and innovative.

Jackie West grows from her immensely satisfying debut album into a follow-up that sees her taking chances while writing beautiful, emotionally striking music.

Jazz trio the Setting have brought to fruition Eivind Opsvik’s love of 1970s and 1980s synthesizer music, ECM solo guitar albums, and experimental art pop.

Kerrin Connolly has stepped up her game, with smart, sophisticated arrangements and an arsenal of pop songs that are a quantum leap from earlier music.

Ecstatic Visions is an ambitious interpretation of new and recent compositions from the unique duo of Stephanie Lamprea and Alistair MacDonald.

Elori Saxl and Henry Solomon’s Seeing Is Forgetting exquisitely blends ambient and jazz while working in the occasional pop melody.

Jan Esbra translated the pain and loss of the end of an eight-year relationship into five graceful, eloquent, mesmerizing songs.

Erik Hall is an artist who understands minimalism and knows how to execute it brilliantly and uncompromisingly in a way that appeals to a broad range of listeners.

Devin Maxwell offers an irreverent take on the real or imagined processes we use to attempt to control the weather. The music is striking, dramatic, and unique.

Ryan Gabos’ lo-fi bedroom pop project, Sotto Voce, scales new heights with The Sound of Trying.