
Yoshiko Sai Is Luminous on the Reissued ‘Mikkou’
Yoshiko Sai emerges as a true luminary unlike any other, holding together an eclectic palette with unshakeable artistic sensibilities and a truly fathomless mind.

Yoshiko Sai emerges as a true luminary unlike any other, holding together an eclectic palette with unshakeable artistic sensibilities and a truly fathomless mind.

Neba Solo and Benego Diakité have a subtle leadership, guiding other musicians who record with them, filling out ten gently intricate tracks with aural warmth.

The combination of African, South American, and Caribbean pop styles, timely themes, and impeccable club vibes make Da Cruz’s new album the best yet.

Tigran Hamasyan’s Manifeste is a journey, profoundly personal and rooted in the world, seeking purpose within it. It’s moving and aurally rapturous.

Sonetos del Amor Oscuro adapt seven Lorca works into six artful tracks that interpret not only the words but the spirit of his final works to poignant effect.

Algeria’s Imarhan may be one of tishoumaren’s most dynamic contemporary acts, and on Essam, they only get more interesting.

With Makaya, Wesli places Haiti on a deeply interconnected world map and underscores the power of creative acts of solidarity and revolution.

Amadou & Mariam’s final album is a testament to their creative and personal chemistry. Their music has always been able to brighten a room.

The best global music albums represent ten especially powerful examples of musical communion from the past year that defy the frictional fictions of borders.

Hourglass is Antibalas through and through: no novelties, no gimmicks, all consummate professionalism. That is a comfort.

Da Lata’s music is warm, soulful, and made in collaboration with artists working with musical styles that have emerged from African-Brazilian interchanges.

Syd dePalma’s Paris is dreamlike. Echoes abound, sculpting recognizable rock, folk, and pop stylings into imaginative new shapes.