As John Hiatt reflects on memory, loss, and desire, the Jerry Douglas Band’s marvelous playing leads to one of the best albums of the year, Leftover Feelings.
Philosophical lyrics, earworms, and sonic creativity combine on the Chills’ engaging new album Scatterbrain. Thoughts of our eventual end permeate the album.
Chad VanGaalen’s World’s Most Stressed Out Gardener has elements of hurt and darkness, but he sounds at ease in his ever-changing musical gambits.
Pearl Charles' art doesn't offer easy resolutions to internal or external crises on Magic Mirror, but as she works through her ideas, she leads us to somewhere better.
Starting Over doesn't do so much of what its title suggests as it builds on Chris Stapleton's solid foundation across rootsy music for another decisive step forward.
Sharon Jones and the Dap-Kings always brought joy and energy to their music. Hearing them cut loose on these covers lets us appreciate the verve with which they approached their art in any setting.
Given the turmoil of the era, you might expect Lydia Loveless to lean into the anger, amplifying the electric guitar side of her cowpunk. Instead, she created a personal record with a full range of moods, still full of her typical wit.