
Grey DeLisle and Les Greene Join Forces for ‘Grey & Greene’
Grey DeLisle and Les Greene create one of her most immediately exciting works, and the genre-crossing keeps it entertaining throughout.

Grey DeLisle and Les Greene create one of her most immediately exciting works, and the genre-crossing keeps it entertaining throughout.

With its brains and polish, folk rock band Widemouth’s No Gasoline doesn’t feel like a debut album, but it does suggest more and better to come.

Metric look at ups and downs, always seeking an accessible romanticism. Underground dives may be dingy or dirty, but they can lead somewhere transcendent.

“Making records isn’t for the faint of heart,” notes songwriter Salim Nourallah, who is in the middle of a year when five full-length albums are planned.

The Lowest Pair’s new record is steady and confident. It sounds like both a journey and its end point, and in finding peace within turbulent seas.

Linda May Han Oh’s latest album builds its central premise around the concept that humans will typically choose a familiar hell over an unfamiliar heaven.

Through the Open Window does something ambitious in exploring Bob Dylan’s early development and capturing the essence of a scene.

Brandi Carlile has returned to herself, but it doesn’t mean isolation; she is her own awareness, embracing community, knowing what to treasure, and making sure to speak it.

William Prince’s mix of character studies and thoughtful meditations combines for an album with staying power. Further From the Country looks at change and distance.

Rhett Miller’s A Lifetime of Riding by Night isn’t an instant attention-grabber; it likely suits its titular setting. It is a deep and rewarding meditation.

Kathleen Edwards sounds as confident as ever, with a clear vision of what matters. This latest record is marked by wisdom, heart, and varied Americana.

Patty Griffin’s Crown of Roses peers in deep, influenced by her evolving relationship with her mother, but also expands enough to engage any openhearted listener.