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'Neverland' Is a Deft Blending of Sorcery, Spectacle, and Emotional Struggles

Peter shares the unconscious longing of all children to discover uncomfortable truths, yet simultaneously retains a carefree manner.

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Doomsday

If there's a single image worth contemplating in Doomsday, it's Eden's strapping lats and shoulders.

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Hollywoodland (2006)

Simo is as self-inflating and lost as George Reeves, his heroism as flimsy and sad.

Film

Mrs. Henderson Presents (2005)

Mrs. Henderson (Judi Dench) is 'old money', but age and wealth haven't dulled her tongue or tempered her personality.

Jesse Hicks
Film

Stay (2005)

Often evocative, sometimes audacious, and finally undone by an inelegant close, Stay is less interested in story than in impressions.

Cynthia Fuchs
Film

Unleashed (2005)

At once ferocious and delicate, brilliantly choreographed by Yuen Wo-Ping, the fights are like dance numbers.

Cynthia Fuchs
Film

Son of the Mask (2005)

The baby is endowed with awesome powers to shape-shift and abuse every living creature that comes within reach of his chubby little hands.

Cynthia Fuchs
Film

Beyond the Sea (2004)

Kevin Spacey looks alternately fatigued and awkward as Bobby Darin.

Cynthia Fuchs
Film

Vanity Fair (2004)

Ah, to be young, bright, and scheming in 19th-century Britain!"

Cynthia Fuchs
Reviews

Hook (1991)

Hook is thoroughly watchable, often amusing, fitfully entertaining.

Jesse Hassenger
Reviews

Maid in Manhattan (2002)

Jennifer Lopez has made a lucrative habit of reprising her story in most of her fictional incarnations.

Cynthia Fuchs
Film

Maid in Manhattan (2002)

This 'ethnic' modification of 'Pretty Woman'-meets-'Working Girl' uses the 'iconic' Lopez strategically.

Cynthia Fuchs
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