Diana Ross’ seminal live LP, An Evening with Diana Ross, captures nearly every side of her expansive talents, diverse gifts, and lofty career goals.
Thirty years on Green Day’s Kerplunk! stands shoulder to shoulder with anything else the band created in the future and showed where they were headed.
It’s been 35 years since college rock harbingers Hüsker Dü culminated in a storm of malaise. Warehouse: Songs and Stories was their parting gift.
Fifty years ago, a plea for assistance from Ravi Shankar to George Harrison gave birth to The Concert for Bangladesh, an event whose impact on the culture of pop and classic rock still resonates.
David Bowie’s Hunky Dory is self-conscious about artifice and image. It maintains a resounding undercurrent of human longing for connection and recognition.
Blondie’s first LP absorbed a wide range of influences and synthesized multiple genres, including surf pop, ’60s girl groups, mod rock, and even disco.
The Preacher’s Wife is the ideal Whitney Houston album, ticking off many sides of the diva’s talents while marrying her commercial side with her sacred roots
In a brave and subversive move that appealed to mainstream audiences yet was undeniably queer, “AIDS film” Parting Glances used barbed comedy to convey tragedy.
On her last truly great album Hejira, Joni Mitchell designed a travelogue, awash with lush textures, and explored the implications of her lifelong itineracy.
Kate Bush’s 50 Words For Snow is a jazzy wonderland of mystical creatures and fleeting romance with nuanced themes of impermanence and ephemeral love.