
How Vampires Became Rock Stars
The mythical creature of ancient folklore relentlessly feeds on our creative works, and through generations, we willingly succumb to the vampire made rock star.

The mythical creature of ancient folklore relentlessly feeds on our creative works, and through generations, we willingly succumb to the vampire made rock star.

Florida’s Pool Kids swing for the fence and connect with anthemic explorations of heartbreak that showcase a bigger, more refined sound.

Home Is Where effortlessly blend alternative country into their emo for a potent collection of songs of anger and hope.

Clifford’s sounds are drawn from a multitude of influences, yet the resulting combination is focused, unique, and often spellbinding.

AFI’s resilience and innovation take center stage in Andi Coulter’s new biography, which is every bit as deserving of praise as more heralded peers.

The Blood Brothers Crimes is a pitch-black satire and critique of its time showing how little has changed. It would be depressing if the music weren’t thrilling.

Denver’s A Place For Owls discuss their new album, their relationship to emo, and the dual forces of suffering and hope in life and creative work.

The Promise Ring’s Very Emergency succeeds by subverting expectations but delivering ten nuggets of power pop and a rebuke of the emerging emo tropes.

“I fit through a pinhole of success,” notes indie rock titan Tim Kasher on Cursive’s ninth full-length album. “I’m lucky as hell that I’m able to do this.”

Devourer‘s songs are the best Cursive have released since 2003, balancing a noisy attack and withering lyrics with some of their prettiest, accessible tracks.

Ogbert the Nerd sound exuberant. There is a beating heart and pathos under the hooks, and they have much to offer listeners outside of emo’s ardent fans.

That All Hell is another high-quality release is not the least bit surprising; it’s Los Campesinos!’s best record and likely one of the finest of the year.