The Dismemberment Plan Accepted Things as They Were in 2001
The Washington, DC, indie institution the Dismemberment Plan’s final album of their initial run is a masterwork of navigating diminished expectations.
The Washington, DC, indie institution the Dismemberment Plan’s final album of their initial run is a masterwork of navigating diminished expectations.
In 1987, British hardcore changed. Melodic punk’s HDQ, Leatherface and Senseless Things used melancholic picked chords and desperate, sung melodies. It was all because of emo.
At Comerica Park, Detroit’s original punk provocateur Iggy Pop turned a supporting slot into a confrontation between rock’s past and its future.
On ‘Modern Life Is Lonely’, Holding Absence update post-hardcore closer to the broader hyperpop movement, yet every choice seems tailored to their roots.
Ten years ago, Casey released Love Is Not Enough. It fused furious hardcore with atmospherics, dynamic structures and singing. It was all in aid of its sorrow.
A Place for Owls’ new album demonstrates the fruitfulness of collaborating with others, whether that looks like leaning on them or borrowing from them.
Emo Revival author Andrew Sacher discusses the importance of the 2010s emo explosion in his new scene history, which is a must-read.
Rather than redefining screamo, snag. demonstrate just how much expressive range exists within the genre, bringing forgotten possibilities back into focus.
The 2010s were a pivotal era for emo. One of the most appropriate to trace the history of the emo revival is Andrew Sacher, who spent 16 years covering the scene.
On Halcyon Blues, Citizen’s sixth album for Run For Cover, the elder emo band’s various moods and phases finally come together.
A Whispered Promise of Failure sees Long Goodbye cut the fat from their sound, but lose some of the elements that made them stand out.
Outbreak Festival is the most consistently hailed event in European hardcore. Now, four years into that title, how can it possibly live up to the hype?