As she prepares the high-profile release of her new studio album Native Invader, Tori Amos sneaks out her almost forgotten '80s debut that has been officially unavailable for three decades: Y Kant Tori Read.
The three performances featured below serve as striking evidence that Amos nurtures rather than neglects her songs as they age, each successive performance expanding on the mythology and narrative of the world she’s created.
Today’s spotlight explores albums in Tori Amos’ repertoire that are arguably more divisive among listeners due to their unorthodox structures and diversity in production and sound. The essays that follow seek to unpack each of these records’ complexities with careful consideration of Amos’ and her collaborators’ intentions and both popular and critical reception of the works.
Tori Amos has always worked to create music that fits her own instinctive sense of what popular music should sound like. And via the brain of a piano prodigy with the compositional impulses of Bach, the rock sensibilities of Robert Plant and Freddie Mercury, the confessional courage of Joni Mitchell and Rickie Lee Jones, and the tinkering tendencies of Thom Yorke and, yes, Kate Bush.
There’s breathing room in being a 33-year-old feminist Tori-lover. Feminism isn’t so black and white to me now as it was back then. I don’t know what choices Tori made with regards to feminism, I don’t know if she calls herself one now, or if her daughter does.
The next best thing to listening to a Tori album? Listening to live Tori. And watching Tori. And reading about Tori. And, well, you get the picture. PopMatters give you a rundown of some of Amos’ must-have audio, visual, and literary supplements.
Tori Amos has had a career full of buzz-worthy moments. Thanks to the miracle of YouTube, PopMatters brings you 10 of the most memorable ones out there. These clips prove three things: #1 Tori is hilarious, #2 You should never piss her off, and #3 she knows how to perfectly capture a zeitgeist moment and savor it.
Tori spoke with PopMatters in September about the impetus behind her newest project, the orchestral retrospective Gold Dust, which features new arrangements and vocals for some of her most enduring songs, as well as some more surprising additions.
Today we explore Tori-as-curator and look at the various collections she has released. From box set rarities, to re-conditioned favorites, to a seasonal album, Tori’s penchant for constantly re-working and re-imagining her music leads listeners far beyond typical “Greatest Hits” offerings.
“[On the 2011 Night of Hunters Tour] “Suede” grabbed me by the hand,” Tori Amos said of the ever-changing tune that has been performed live in a number of variations since its 1999 debut on To Venus and Back.
Consistently sitting on a bounty of album-worthy material without record-homes to call their own, Tori Amos has worked overtime to help turn the notion of a b-side on its head. As part of its Performer Spotlight on the artist, PopMatters takes a closer look at a small but varied selection of some of her best non-LP offerings.
Tori’s first four albums are beloved touchstones for many people. The music provides a firm foundation for her career by establishing that, for Tori, there are no rules when it comes to the way she approaches composition. These albums showcase Tori’s ability to create her own mythology in visionary ways each time out.
Tori Amos is as known for her soulful covers as she is her original material, tapping into the essence of another artist’s words with as much -- and sometimes even more -- respect and authority as its creator. PopMatters offers a small sampling of some of her most compelling reinterpretations.
Today we begin a week-long look at Tori Amos’ discography, and rather than construct a chronological take on her career, we thought it would be way more fun to remix it all into a new order to tell the story of her 20-year career. On all of the records in today’s presentation, we examine Tori’s relationship to creating and inhabiting characters in her music, and occasionally in the flesh.
In celebration of the release of Gold Dust, PopMatters begins a week-long Performer Spotlight series on Amos’ career today with a very special introduction to her by those who know her work best: collaborators from across this storied and prolific career.
Constructing characters, adapting archetypes, blurring personas and myths, Tori Amos’s work is characterized by a fascination with selfhood and its transformation. In this first essay in the PopMatters Performer Spotlight series, Alex Ramon gets under the skin of identity and image, Amos-style.
With every "Best of the '90s" retrospective comes a predictable list of entries. Here we've compiled a list of 15 albums that are often times overlooked as worthy of placing in these lists, and are too often underrated as some of the best records from the decade.
The selections on this list aren't necessarily bad albums -- some actually happen to be among the most critically acclaimed of this year. In some cases, it's just that the albums weren't what fans were expecting, and in others, they were exactly what they were expecting.
Tori Amos talks with PopMatters about her newest CD Night of Hunters, where she goes back to her classical roots and gets back on the piano bench for a dark odyssey that will both give you the chills and break your heart.