Doug Jerebine: Is Jesse Harper

Lost rock 'n' soul classic from spiritual seeker.

Doug Jerebine

Is Jesse Harper

Label: Drag City
US Release Date: 2012-01-31
UK Release Date: 2012-01-31

Born in rural New Zealand, Doug Jerebine had already showed great musical promise by his teens, making a name for himself in bands such as the Embers and the Brew. Lured into the deeper soul-inflected sounds emanating from England via the sounds of Steve Winwood and Jimi Hendrix, Jerebine left behind his role as a Hank Marvin acolyte and dove even deeper into the experimental sounds of Ravi Shankar and Vilayat Khan. Before long he’d decided that instead of being a rock ‘n’ roll seeker he’d be one for Hare Krishna. On his way to India Jerebine stopped in England and made this long-lost album.

In 1969, it looked as if Jerebine might land on the Atlantic roster beside Cream and Led Zeppelin before those hopes were dashed by some business-end shadiness that spooked Atlantic head Ahmet Ertegun. Transferred to tape from one of three existing acetates Is Jesse Harper sees its release more than 40 years after Jerebine recorded these 10 psychedelic soul sides.

A few critics have already noted the similarity between Jerebine and Hendrix and although Jerebine occasionally draws upon some Jimi things, it’s not an exact comparison. "Ashes and Matches", "Thawed Ice" and several others are informed by Hendrix style guitar and vocal phrasing but the Spector-esque production and pop and blues blend of the material more often calls to mind Peter Green’s expert soul with early Fleetwood Mac. No matter whom we’re reminded of the fact is Jerebine had some decent material in his hands and, given a few albums to develop his voice, he might have become a considerable force and recognizable name among guitarists -- surely this album won’t hurt that cause.

A few full-on freak outs, including the opening "Midnight Sun" and "Ain’t So Hard To Do" would have made great live jams and would have sounded great had he ever made a Live At The Fillmore album and the aforementioned "Ashes and Matches" could have easily become an AM (and later FM) radio staple while "Good News Blues" spotlights an amazing groove that would have made John Paul Jones and John Bonham proud, while Jerebine’s lead lines should make guitarists sit up, take notice, and incorporate said lines into their repertoires.

The songwriting never marks Jerebine as one of the great voices of his generation but it’s damned strong, especially from an artist who was still finding his voice as "Circles", "Fall Down"' and "Reddened Eyes" all demonstrate. If the closing "Idea" doesn’t emerge as the most ace of all the tracks, it’s still above par. It’s probably in his casual compositional style and phrasing that most of the Hendrix comparisons gain their greatest amount of traction.

Predictably -- considering the transfer source -- the album sounds murky at times, but there’s also a deep warmth that will doubtless sound amazing on the vinyl release. Of the numerous "lost" releases that find their way into the world each year this is simply one of the best in recent memory.

Jerebine is still alive and well and still playing. Maybe interest in this recording will convince him to grace us with more music.





Carey Mercer's New Band Soft Plastics Score Big with Debut '5 Dreams'

Two years after Frog Eyes dissolved, Carey Mercer is back with a new band, Soft Plastics. 5 Dreams and Mercer's surreal sense of incongruity should be welcomed with open arms and open ears.


Sondre Lerche Rewards 'Patience' with Clever and Sophisticated Indie Pop

Patience joins its predecessors, Please and Pleasure, to form a loose trilogy that stands as the finest work of Sondre Lerche's career.


Ruben Fleischer's 'Venom' Has No Bite

Ruben Fleischer's toothless antihero film, Venom is like a blockbuster from 15 years earlier: one-dimensional, loose plot, inconsistent tone, and packaged in the least-offensive, most mass appeal way possible. Sigh.


Cordelia Strube's 'Misconduct of the Heart' Palpitates with Dysfunction

Cordelia Strube's 11th novel, Misconduct of the Heart, depicts trauma survivors in a form that's compelling but difficult to digest.


Reaching For the Vibe: Sonic Boom Fears for the Planet on 'All Things Being Equal'

Sonic Boom is Peter Kember, a veteran of 1980s indie space rockers Spacemen 3, as well as Spectrum, E.A.R., and a whole bunch of other fascinating stuff. On his first solo album in 30 years, he urges us all to take our foot off the gas pedal.


Old British Films, Boring? Pshaw!

The passage of time tends to make old films more interesting, such as these seven films of the late '40s and '50s from British directors John Boulting, Carol Reed, David Lean, Anthony Kimmins, Charles Frend, Guy Hamilton, and Leslie Norman.


Inventions' 'Continuous Portrait' Blurs the Grandiose and the Intimate

Explosions in the Sky and Eluvium side project, Inventions are best when they are navigating the distinction between modes in real-time on Continuous Portrait.


Willie Jones Blends Country-Trap With Classic Banjo-Picking on "Trainwreck" (premiere)

Country artist Willie Jones' "Trainwreck" is an accessible summertime breakup tune that coolly meshes elements of the genre's past, present, and future.


2011's 'A Different Compilation' and 2014 Album 'The Way' Are a Fitting Full Stop to Buzzcocks Past

In the conclusion of our survey of the post-reformation career of Buzzcocks, PopMatters looks at the final two discs of Cherry Red Records' comprehensive retrospective box-set.


Elysia Crampton Creates an Unsettlingly Immersive Experience with ​'Ocorara 2010'

On Ocorara 2010, producer Elysia Crampton blends deeply meditative drones with "misreadings" of Latinx poets such as Jaime Saenz and Juan Roman Jimenez


Indie Folk's Mt. Joy Believe That Love Will 'Rearrange Us'

Through vibrant imagery and inventive musicality, Rearrange Us showcases Americana band Mt. Joy's growth as individuals and musicians.


"Without Us? There's No Music": An Interview With Raul Midón

Raul Midón discusses the fate of the art in the wake of the COVID-19 pandemic. "This is going to shake things up in ways that could be very positive. Especially for artists," he says.

Collapse Expand Reviews

Collapse Expand Features
PM Picks
Collapse Expand Pm Picks

© 1999-2020 All rights reserved.
PopMatters is wholly independent, women-owned and operated.