British instrumental trio Haiku Salut create a new soundtrack for Buster Keaton's classic 1926 film The General with brilliant and unconventional results.
For an album that is so geographically and linguistically focused, Yann Tiersen's ALL is strangely beautiful when robbed of all its context.
With an understanding of detail and texture, cellist Julia Kent's Temporal displays her intimate understanding of acoustic and electronic elements.
Brooklyn's GADADU create a mesmerizing blend of jazz, soul, classical, and dream pop that's impossible to classify but easy to love. They recently talked about their musical influences, their unique approach to the recording process, and John Lennon's knack for interesting chord structures.
Dead Can Dance's Dionysus is a unique concept album for the celebrated musical duo, putting all of their ideas into two songs that stretch the course of an entire album.
Ebony Bones performs a deep exploration of her complex sound, resulting in a magnificent collage of different genres and approaches producing a poignant, multifaceted work.
Trumpeter Jon Hassell adds influences from club music to the rich, long-simmering stew he's been cooking for decades on Listening to Pictures.
Stillness and language resonate with a beautiful message on Fragmente, a fantastic new release from the Berlin-centric composer Maike Zazie.
Rich in ambience and atmosphere, Hior Chronik's Out of the Dust is an ideal record for those who don't mind slight variations on a dreamlike theme.
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