
Laura Fisher’s ‘Celestina’ Is a Spellbinding Improv Performance
Laura Fisher has added another unique entry to her compelling discography, creating a piece that is impressive on a technical level and a captivating listen.

Laura Fisher has added another unique entry to her compelling discography, creating a piece that is impressive on a technical level and a captivating listen.

Grammy-winning composer and pianist Teddy Abrams lets his imagination run wild on 16 brilliant tracks. He’s a highly accomplished artist who refuses to sit still.
Classical and compositional music have continued to thrive in the 20th and 21st centuries, reaching new heights of dissonance and beauty.
Kelly Moran explores the ghost in the machine on Moves in the Field, a delicate, thoughtful album of “solo” neoclassical piano explorations.
Yann Tiersen integrates synth elements, redefining his piano arrangements and giving each piece otherworldly layers on Kerber.
Italian composer Bruno Bavota’s pandemic-related fear and anxiety morph into bursts of creativity on his terrific new album For Apartments: Songs & Loops.
The first solo album from experimental upright bassist and vocalist Carmen Q. Rothwell uses heartbreak and loss as emotional touchstones.
The latest work from multifaceted artist Elori Saxl is a deeply satisfying, occasionally jarring work that takes minimalism, sampling, and chamber orchestras to a whole new level.

Nightside, the new album from composer and multi-instrumentalist Luke Cissell, is largely synthetic and electronic but contains a great deal of warmth and melody.
British instrumental trio Haiku Salut create a new soundtrack for Buster Keaton's classic 1926 film The General with brilliant and unconventional results.
For an album that is so geographically and linguistically focused, Yann Tiersen's ALL is strangely beautiful when robbed of all its context.
With an understanding of detail and texture, cellist Julia Kent's Temporal displays her intimate understanding of acoustic and electronic elements.