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Film

Let's Get Physical: In Praise of Kay Kendall's Joie De Vivre

Kay Kendall's mercurial performances in George Cukor's Les Girls and Vincente Minnelli's The Reluctant Debutante highlight a romantic Englishwoman and her knack for graceful physical comedy.

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Film

Politicking with 'Made in Dagenham''s Miranda Richardson

Miranda Richardson discusses this season's premiere feminism-themed film about the real-life strike at the UK Ford plant that challenged and changed British laws on equal pay. Just how far have we come since 1968 in the fight for gender equality in the workplace?

Film

Barbequing with Legends: Robert Duvall and Sissy Spacek on Cinema, Cinephilia and Good-Looking Shoes

On the eve of the release of Get Low, PopMatters talks with film legends Sissy Spacek and Robert Duvall about food criticism (sort of), film critics (without mentioning any, ahem, names), and of course, cute shoes (and a few other things).

Film

Essential Female Melodrama: 'The Bitter Tears of Petra von Kant'

Endorsed by the esteemed Susan Sontag as among the best films about women, Fassbinder's unique approach to the feminine psyche remains as daring today as it was when released in 1972.

Film

Mama Said Knock You Out: An Interview with 'Mother' Director Bong Joon Ho

Korea has quickly become a hot spot for some of the most engaging female film performances in the world. This reputation is only bolstered by Kim Hye-ja's sharp turn as the resourceful Mother. PopMatters interviews Director Bong Joon Ho.

Film

Everything in its Right Place: The Best Female Acting Performances of 2009

Mazur checks out the year's best female acting and offers up a mostly alternative opinion to the boring Oscar-begging consensus picks including some you might not have heard about, yet.

Film

An Education: Carey Mulligan Comes of Age

Danish director Lone Scherfig spares audiences the trite clichés of a young woman's coming of age, directs a magnificent cast of actors, and defends her film against allegations of inappropriate sexuality.

Television

Emmy Nominations / Emmy Abominations

And the nominees for Best 'White' Actress on Television are… the exact same group of women who are nominated every single year by the unimaginative voting bloc.

Film

Ingmar Bergman: No Man Is an Island

Bergman’s need to honor, discover and examine his intrinsic connection to women is quite simple: all men are influenced by women.

Music

Abnormally Attracted to Sin: Tori Amos Talks with PopMatters

On the eve of the release of her tenth album, Amos chatted about collaborating with rock Gods and Goddesses, how bootlegs could potentially cause divorce, and why a gal sometimes just needs a good wig to add an extra element of surprise to both her marriage and her live show.

Television

'Grey Gardens': Where Drew Barrymore and Jessica Lange Bloom

HBO’s dedication to quality parts for women gallantly shows through and has even changed the landscape of television as we know it.

Film

The Oscar Expert Eyes This Year’s Pageantry

We true cinema enthusiasts enjoy the secret knowledge that our tastes are much better than these mewling industry standards.

Film

The Oscar Expert Eyes This Year’s Pageantry

My qualifications for discussing actresses and the Oscars? I’m gay and have watched the awards for more than 25 years now. If that doesn’t make me an Oscar expert, clearly nothing does.

Film

No Girl So Sweet and ‘Happy-Go-Lucky’

At first fearing a British Amelie, Mike Leigh’s Happy-Go-Lucky surprisingly became Mazur’s favorite film of 2008.

Film

The Annihilating Feminine: Kate Winslet Gets Nasty in The Reader

In Winslet’s clever, low-key performance, all of the character’s ambiguousness remains intact, making Hanna her most complicated, mature creation to date.

Film

I’ve Loved You So Long: Interviews with Kristin Scott Thomas and Philippe Claudel

Claudel discusses how the women who have surrounded him his entire life proved to be among the best inspiration for I’ve Loved You So Long's daring, modern feminist parable.

Film

I’ve Loved You So Long: Interviews with Kristin Scott Thomas and Philippe Claudel

Kristin Scott Thomas delivers the performance of the year in Philippe Claudel’s I’ve Loved You So Long, and tells Mazur how she did it.

Film

The Secret Life of Bees

The simple fact that the diminutive white girl’s name is “Lily” is a hugely evident sign that the use of symbolism is going to hit you like a ton of bricks.

Film

The Secret Life of Bees

What could have been a brave film turned out lukewarm, lost in its own self-importance, stripped of its feminist overtones and watered down for mass consumption.

Film

Katrin Cartlidge: The Working Actress

Cartlidge’s lady of the night is part Shakespearean tragedienne, part deliciously vague Hitchcockian mannequin in distress; the archetype is shattered.

Film

Katrin Cartlidge: The Working Actress

Whether it was through silence, grotesquerie, fury or intelligence (or, at times, lack of intelligence), Cartlidge was not afraid to upturn the dark corners of the women she portrayed.

Film

The Bombing of Bonneville

Bonneville is not terrible, but it isn’t befitting of the American acting royalty that acquiesced to star in it, either, though the three women do their best with what they are given, smiling gamely through it all, and in the process deconstructing ageism in a subtle, necessary way.

Film

The Bombing of Bonneville

Bonneville is firmly committed to the “Female Gaze” in an industry where everything is geared towards only what men want to see.

Film

Michelle Pfeiffer as Pfeminist

I Could Never Be Your Woman is the lone feminist antidote in a sea of venomous, misogynist, adolescent male comedies that people turn out for en masse.

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