The Iconographies

In Suiciders, series creator Lee Bermejo gives us an elegant drama of transitions, and in doing this offers perhaps the most innovative mediation on LA itself.

A quatrain of "ways of looking", as Wallace Stevens put it, at the groundbreaking first issue of Dark Circle’s relaunch of The Black Hood.

This story is about what happened in between Mad and Playboy. It's the story of how one time the great Harvey Kurtzman played a real slow burner.

Rebels is the book I was waiting for Brian Wood to attempt. Since long before Local, since before Northlanders since even before DMZ. It’s the story of the American Revolution, told in a way that only Brian Wood can.

Last month’s Moon Knight #12 saw the conclusion of the second arc of the book. But with two different creative teams and two different approaches, is this even the same book? Or an under-the-radar reboot?

The interview with creator Jeff Lemire on his newest book Descender, which releases in March.

Released next Wednesday, Descender's a game-changer. Here's why.

From Roswell to Aztec to Oa. The secret origin of Green Lantern, DC's science fiction superhero, is found among the crashed saucers and contactees of the 1950's UFO movement.

It wasn’t so long ago, 2011, but it felt momentous. It was only a matter of really, until our art would begin to make comment. And what better art than the decades old dystopian fiction of Judge Dredd?

Artist Riley Rossmo’s aesthetic energy is a big part of what makes Rasputin click as a comic, a major factor in its unique personality and tone, so any scene as strong and effective as this one must be attributed to him at least to some degree.

What really pops out and smacks you in the face about Change is the art by Morgan Jeske and Sloane Leong.