Vanessa Williams Returns with the Excellent ‘Survivor’ After a Lengthy Break
After listening to Survivor, one thing that remains clear is that Vanessa Williams thrives on being an old-school Entertainer with a capital E.
After listening to Survivor, one thing that remains clear is that Vanessa Williams thrives on being an old-school Entertainer with a capital E.
Unlike how her subject’s music can be, Irene Taylor’s biography I Am: Céline Dion is not a mournful drama. That doesn’t mean it’s easy.
Amidst culture wars and an uncertain time for LGBTQ people, Drag Race fan favorite Pandora Boxx releases an album of funny comedy songs and catchy dance tunes.
Marilyn Monroe’s performative femininity as Sugar in Some Like It Hot is just as artificial as Tony Curtis and Jack Lemmon’s drag characters’, only better.
Yoko Ono: Music of the Mind at Tate Modern is an engaging overview of the polarizing artist’s career, but her career didn’t end post-John Lennon and Fluxus.
Alternative film theater and music venue Scala’s contribution to British culture was urgent and necessary to counter the government’s regressive social policies.
Through one hit single, Mariah Carey declared herself the Queen of Christmas, and judging from its perennial success, it looks as if her reign isn’t over anytime soon.
Dolly Parton’s Rockstar is another solid, consistent piece of work that shows the country legend having fun and enjoying herself at this point in her career.
Chris Stapleton’s Higher is required listening for fans of high-quality, contemporary country. He’s gifted with the most gorgeous male voice in country today.
Keep Walkin’ looks to expand on the legend of Nancy Sinatra because so much of her musical legacy is tied up in her mythology as a celebrity or an image.
Cyndi Lauper’s debut, She’s So Unusual, stands the test of time: it’s an eccentric, weird record that revels in a subversive and quietly revolutionary oddness.
America is a more polarized political and social landscape since the original Frasier aired. Since it was never a socially conscious comedy like many of today’s sitcoms, who is this reboot for?