action drama film

Power, Loss, and Madness in Kurosawa’s Ran and Shakespeare’s King Lear

Power, Loss, and Madness in Kurosawa’s Ran and Shakespeare’s King Lear

By identifying King Lear with the ancient Japanese warlord Hidetora, whose violations emerge from a breach of publicly identified self-hood, Akira Kurosawa plays with the quintessentially Shakespearean focus on individual personality.

Akira Kurosawa Films 101: 1975 – 1985

Akira Kurosawa Films 101: 1975 – 1985

These films represented Akira Kurosawa’s ascendance to greater international acclaim, while he struggled to find financing in Japan, where the movie industry was shriveling.

Comparing Akira Kurosawa’s Early and Late Films

Comparing Akira Kurosawa’s Early and Late Films

There are striking differences between Kurosawa’s earlier and later films, including in the different ways people have responded to these two groups of films.

Akira Kurosawa Films 101: 1960 – 1962

Akira Kurosawa Films 101: 1960 – 1962

Today’s Kurosawa 101 covers three of his most popular and accessible films Yojimbo and Sanjuro, as well as arguably his most earnest, The Bad Sleep Well.

Akira Kurosawa Films 101: ‘Seven Samurai’ (1954)

Akira Kurosawa Films 101: ‘Seven Samurai’ (1954)

Today’s Kurosawa 101 focuses on what’s generally regarded as the greatest Japanese film ever made and perhaps the greatest in world film: Seven Samurai.

Widescreen, Big Ideas: The Cinema of Akira Kurosawa

Widescreen, Big Ideas: The Cinema of Akira Kurosawa

When Akira Kurosawa made the conversion to a wider screen, he did so by making six consecutive films in widescreen, with a degree of success as resounding as it was influential.

Akira Kurosawa Films 101: 1949 – 1950

Akira Kurosawa Films 101: 1949 – 1950

Today’s Kurosawa 101 films include the director’s only effort at bringing a contemporary Japanese stage play to the screen (the rarely seen The Quiet Duel), a police procedural that was the finest Kurosawa film to date (Stray Dog), and a scree against tabloid journalism that resulted in one of the weakest films he would ever direct (Scandal).

Textbook on Film: The Political As Personal in the Films of Kurosawa

Textbook on Film: The Political As Personal in the Films of Kurosawa

Kurosawa’s films often act as deliberate examinations of historical periods, exploring difficult realities that existed and the ordeals of the individuals.

Akira Kurosawa Films 101: 1946 – 1948

Akira Kurosawa Films 101: 1946 – 1948

Day Two of Akira Kurosawa 101 examines three of his films that address the nature of life in Japan immediately at the end of WWII and the American Occupation.

A Giant Shadow: The Continuing Influence of Akira Kurosawa on World Cinema

A Giant Shadow: The Continuing Influence of Akira Kurosawa on World Cinema

It’s impossible to imagine a world without Akira Kurosawa’s films. He’s one of the greatest directors in movie history, having made many first-tier masterpieces.

Akira Kurosawa Films 101:  1943-1945

Akira Kurosawa Films 101: 1943-1945

Over the next two weeks, we will discuss every film that Akira Kurosawa directed, from the obscure to the most celebrated, from Scandal and The Most Beautiful to Seven Samurai and Ran.