Ian Chant

Akira Kurosawa Films 101: 1975 – 1985

Akira Kurosawa Films 101: 1975 – 1985

These films represented Akira Kurosawa’s ascendance to greater international acclaim, while he struggled to find financing in Japan, where the movie industry was shriveling.

The Brush and the Lens: Akira Kurosawa As Painter and Filmmaker

The Brush and the Lens: Akira Kurosawa As Painter and Filmmaker

As a painter and filmmaker, Akira Kurosawa stuck to his own style, informed heavily by traditional Japanese painting as well as European impressionists and expressionists, another arena of art where he answered to both Eastern and Western influences.

Akira Kurosawa Films 101: 1950 – 1952

Akira Kurosawa Films 101: 1950 – 1952

Today’s Kurosawa 101 explores two of the greatest films in Kurosawa’s catalog, Rashomon — the film that made Kurosawa and Japanese cinema known throughout the world — and Ikiru — perhaps the greatest film ever made about impending death.

Joss Whedon 101: Firefly

‘Life, the Universe and Everything’

‘Micmacs’ Could Make Harold Lloyd and Buster Keaton Squirm with Jealousy

Olafur Arnalds Returns to North America

Why the Caged Bird Sings

What’s The Upside, Doc?: Interview with Behavioral Economist Dan Ariely

Agatha Christie’s Poirot: The Movie Collection, Set 5

Of Guffaws and GDPs: PopMatters Talks to Yoram Bauman, Standup Economist

Psych-Horror Flick as Music Video, or Vice Versa: Animal Collective’s ‘Oddsac’